by Hans Bak ‧ RELEASE DATE: Feb. 1, 1993
With access to Cowley himself (1898-1989) and to his huge archives, Bak (American Literature/Catholic University of Nijmegen, Netherlands) has produced a detailed yet cluttered history of his subject's literary endeavors from 1915 to 1930—of his ``apprenticeship'' as poet, literary journalist, editor, and critic. Bak takes the same ``spectatorial attitude'' as Cowley took toward his culture. He observes the young man of letters from his boyhood in a pious Swedenborgian family in Pittsburgh to his years at ``godless'' Harvard—covering the professors Cowley studied with, the courses he took, his favorite authors, his friends. Bak reports on Cowley's service in 1917 in the Ambulance Corps in France, his return to Greenwich Village, and his marriage to an untidy bohemian whose infidelities infected them both with syphilis. The author recounts his subject's return to France in the 20's; his joining the expatriates he named the ``lost generation''; and the artistic experimentalism that became modernism as well as those who created it: Eliot, Pound, Stein, Yeats and Joyce. While doing freelance writing (including, from 1924-28, articles in Charm, a magazine published by Bamberger's department store for its female charge customers), Cowley, Bak relates, emancipated himself from the seclusive art of the symbolists and evolved into a socially responsible writer and a political radical, eventually succeeding Edmund Wilson as book-review editor of The New Republic (an evolution Cowley described in Exile's Return, 1934). An epilogue covers this ``return'' and establishes Cowley's literary stature. Bak names all the little magazines Cowley wrote for or cared about but misses the excitement, the ferment, that produced them. A rhetorical and lifeless biography, then, that reduces Cowley to the sum of his literary opinions. (Thirty-two illustrations—not seen.)
Pub Date: Feb. 1, 1993
ISBN: 0-8203-1323-8
Page Count: 592
Publisher: Univ. of Georgia
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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