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INTERSECTION MAN

A bizarre metaphysical trip in sci-fi packaging.

A patient becomes trapped at the intersection of two universes in this sci-fi debut.

Miami, 2025. Sick veteran Levan Lamarr’s wife, Mira, is scheduled to give birth to their first child in a week. But Levan isn’t expected to live that long. Out of the blue, a robot arrives bearing the face of a scientist—Dr. Jonah Salter, head of the multinational Salter Pharma—and a briefcase full of cash. Salter says he thinks he can cure Lev’s bone cancer and is willing to pay him $5 million for the opportunity to try. “I have invented a machine that, well, theoretically can reset your health to that of a point in your past,” explains Salter. “I call it the Entangler.” The only catch is that every time Salter has tried the procedure, the patient died in the process. Lev agrees, figuring that if he dies Mira will at least have $5 million to raise their daughter. The process involves Quantum Entanglement: placing Lev at the intersection between this universe and another near-identical one, making him the only thing in either world that can influence both. The procedure works and Lev is cured, but he continues to experience both universes simultaneously. As time goes on, the worlds become less and less identical to each another, and as the mercurial lives of other people morph around him, Lev must find a way to preserve his own humanity. In his ambitious novel, Nair does his best to keep readers with him as he explains the complicated mechanics of the plot, though he can’t always avoid scientific jargon. Even the action sequences aren’t always the easiest to explain: “At the same time, one of the two Jonahs (the one who’d seen the intruder through the mirror) ducked. A bullet hit the Jonah-who-didn’t-duck on the head, and he collapsed. The other bullet missed the Jonah-who-ducked.” The novel’s characters are rather wooden, though this matters less as the intricate plot develops and identities shift, evolve, or are subsumed into new ones. Fans of cerebral sci-fi should appreciate the extent to which the author follows his inventive premise into weirder and weirder territory.

A bizarre metaphysical trip in sci-fi packaging.

Pub Date: Aug. 5, 2015

ISBN: 978-1-5485-5614-3

Page Count: 408

Publisher: CreateSpace

Review Posted Online: March 20, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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