Like Jeffery Deaver, veteran Coben (Stay Close, 2012, etc.) is a magician who’s a lot more fun to watch when you don’t know...
Six years after the summer girlfriend he’s convinced is the love of his life throws him over to marry someone else, a shocking series of revelations draws a Massachusetts professor back to her.
“Promise me you’ll leave us alone,” Natalie Avery demanded of Jake Fisher after her wedding to surgeon Todd Sanderson. And for six years Jake’s done exactly that. But the news of Todd’s death rekindles his desire to see Natalie again. What could be the harm, now that she’s been widowed by the robbers who shot Todd to death? When he travels to their home in South Carolina, however, he walks into mystery and denial. Todd’s widow isn’t Natalie, but someone named Delia. Natalie’s sister Julie Pottham denies knowing anything about Jake. So do Cookie, the Kraftsboro Bookstore Café owner who served Jake and Natalie all those scones, and Rev. Kelly, who officiated at the wedding. In fact, there’s no record that Natalie and Todd were ever married at all. An anonymous email telling Jake, “You made a promise,” grieves Jake but doesn’t deter him from his search. Neither does a close encounter with a pair of killers who want to know where Natalie is and are certain Jake can tell them. Up till now, Jake’s nightmare is as infernally all-absorbing as Dr. David Beck’s in Tell No One (2001). But the discovery of a clue that begins to unravel the mystery also sends the tale spiraling past the bounds of plausibility, even for a thriller, until Jake’s quest for the truth entangles benevolent conspiracies, hired killers, multiple disappearances, the Mafia and all the people besides Natalie that Jake has held nearest and dearest.
Like Jeffery Deaver, veteran Coben (Stay Close, 2012, etc.) is a magician who’s a lot more fun to watch when you don’t know how he’s fooling you.Pub Date: March 19, 2013
ISBN: 978-0-525-95348-7
Page Count: 368
Publisher: Dutton
Review Posted Online: Feb. 24, 2013
Kirkus Reviews Issue: March 15, 2013
Sophomore slump.
More psychological suspense from the author of Final Girls (2017).
Anyone who grew up watching horror movies in the 1980s knows that summer camp can be a dangerous place. It certainly was for Emma Davis during her first stay at Camp Nightingale. The other three girls in her cabin disappeared one night, never to return. Fifteen years have passed, years in which Emma has revisited this ordeal again and again through her work as a painter. When she’s offered another opportunity to spend a summer at the camp, Emma barely hesitates. She’s ostensibly there to serve as an art instructor, but her real mission is to finally find out what happened to her friends. Thrillers are, by their very nature, formulaic. Sager met the demands of the genre while offering a fresh, anxiety-inducing story in Final Girls. The author is less successful here. Part of the problem is the pacing. It’s so slow that the reader has ample time to notice how contrived the novel’s setup is. Emma is clearly unwell, so her decision to go back to the site of her trauma makes some sense, but it’s hard to believe that the camp’s owners would want her back, especially since she played a pivotal role in turning one of them into a suspect and nearly ruining his life. As a first-person narrator, Emma withholds a lot of information, which feels fake and frustrating; moreover, the revelations—when they come—are hardly worth the wait. And it’s hard to trust an author who gets so many details wrong. For example, Emma’s first summer at Camp Nightingale would have been around 2003 or so. It beggars belief that a 13-year-old millennial wouldn’t be amply prepared for her first period, but that’s what Sager wants readers to think. There’s a contemporary scene in which girls walk by in a cloud of baby powder, Noxzema, and strawberry-scented shampoo, imagery that is intensely evocative of the 1970s and '80s—not so much 2018. The novel is shot through with such discordant moments, moments that lift us right out of the narrative and shatter the suspense.
Sophomore slump.Pub Date: July 10, 2018
ISBN: 978-1-5247-4307-9
Page Count: 384
Publisher: Dutton
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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