A charming, but ultimately low-stakes, memoir of childhood and basketball.
Schoen recounts his farm boy childhood and college basketball career in this debut memoir.
Born in 1941, the oldest son in a family that would eventually include 13 children, Schoen grew up in rural western Ohio in a community of German Catholics who, despite having lived in the United States for more than a century, had only recently transitioned to speaking primarily in English. Modernization was slow to come to the family farm, which was not yet connected to the electrical grid when Schoen was born. As a boy, he learned to hitch workhorses to the plow and the hayfork. “When I was very young,” Schoen remembers, “the rare appearance of an airplane in the sky prompted a yell to others in the family not to miss the sight.” Horses were eventually replaced by machinery. Likewise, Schoen broke with the tradition of earlier generations of his family by graduating from high school and going on to the University of Dayton on a basketball scholarship. He played starting forward for the UD Flyers, who would eventually win the 1962 National Invitation Tournament championship. Throughout his memoir, Schoen illustrates the importance of work, play, education, and evolving with the times. The prose is cleareyed, and Schoen capably renders the particulars of his youth. The frequent photographs that accompany the text are redolent of rural life in postwar Midwestern America, and even readers with no connection to that time or place will be charmed by this account. The only problem is that Schoen’s life is not especially momentous. Even his basketball accomplishments read as rather unremarkable all these decades later. The book is a very pleasant document of farm life in the 1940s and 1950s, but it is difficult to imagine the memoir being of interest to many people who aren’t directly connected to either the Schoen family or Mercer County, Ohio.
A charming, but ultimately low-stakes, memoir of childhood and basketball.Pub Date: Dec. 15, 2015
ISBN: 978-1-5191-9863-1
Page Count: 222
Publisher: CreateSpace
Review Posted Online: Nov. 3, 2016
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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