A charming story about self-acceptance.
A girl who’s half-fairy, half-vampire struggles to fit in.
Isadora Moon’s parents can’t decide which school she should attend: fairy school like her mother or vampire school like her father? They opt to send her to a day of fairy school and a night of vampire school and then to let her choose. Pink and sparkly fairy school starts off as good fun but goes downhill with some magic mishaps (a wish for carrot cake summons an ever growing winged carrot) and cultural hiccups (despite the sparkles, they don’t approve of her black tutu in ballet, and she unknowingly desecrates a fairy ring). Vampire school doesn’t go much better—she flies too much like a fairy for vampire formations, her animated toy Pink Rabbit is banned after acting out in jealousy of the bats, and her straight but unruly hair doesn’t want be tamed to vampire standards. Despite her parents’ conflicting wishes that she take after one or the other, she fits into neither mold. After an encounter with a passing group of diverse human children (as opposed to the all–paper-white fantasy creatures), she opts to go to school with them and be an individual herself—a message as attractive as the black, white, and pink illustrations. While Isadora’s parents seem exceptionally clueless about what’s best for their daughter, their loving acceptance of her choice is affirming.
A charming story about self-acceptance. (Fantasy. 6-9)Pub Date: Aug. 15, 2017
ISBN: 978-0-399-55821-4
Page Count: 128
Publisher: Random House
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
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BOOK REVIEW
This visually buoyant book may well succeed at redirecting gender expectations—though not bending them.
The title answers a question: What does the world need?
In simple, aphorism-laced language, Murphy offers a positive vision of masculinity that focuses on what he dubs “ ‘inside’ strength”—the sort that privileges kindness, respect for self and for others, knowing when to ask for help, and daring to dream big. He begins with guidelines for right behavior on the playing field (“Say ‘Nice goal!’ and ‘Good try!’ / Don’t say ‘You throw like a girl.’ Ever”). With the heartily welcome reminder that “there’s so much more than sports,” he goes on to suggest that spending time in a garden, kitchen, or science lab, playing music, reading or writing stories can all be just as valid and satisfying. Likewise showing consideration for others, working toward goals, and finally realizing that “the best you / is the you that is ALL you…. / Not a little you and a little someone else.” Harren adds life and color to this earnest but not exactly electrifying advice in vignettes depicting a black lad with mobile features and interracial parents playing or otherwise posing in various settings amid a thoroughly diverse cast of peers, pets, and passersby. The figures, human and otherwise, are rendered with fetching individuality that really comes out in group scenes…particularly on the closing pages, where the illustrator lines up smiling young children, including girls, in informal rows.
This visually buoyant book may well succeed at redirecting gender expectations—though not bending them. (Picture book. 6-8)Pub Date: July 15, 2019
ISBN: 978-1-53411-046-5
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
Patchy work, both visually and teleologically.
The sultana of high-fructose sentimentality reminds readers that they really are all that.
Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.
Patchy work, both visually and teleologically. (Picture book. 6-8)Pub Date: Sept. 1, 2015
ISBN: 978-1-250-05626-9
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK REVIEW
BOOK REVIEW
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