Misdirection, shadows, and a lot of snarky meanness—but in the end, it’s all surface drama.
Coming home to London to confront her past, Sadie Roper finds herself embroiled in several mysteries.
When Sadie left for New York with her husband and her daughter, her mother made it perfectly clear that she was a failure for choosing motherhood over her job and that she’d never be welcome in her childhood home again. But when her mother dies, she leaves Sadie the home in her will—with the stipulation that Sadie’s daughter, Robin, must attend Ashams, the prestigious private school where Sadie went. Her marriage already in tatters, Sadie flees back to London; she has little choice but to adhere to the terms of the will. Returning to a house of gloomy memories, bearing the weight of her daughter’s disappointment and homesickness, she struggles to find her footing. The school mothers are the worst, and the Queen Bee, Julia, has all the other women wrapped around her little finger. She makes Sadie's and Robin’s lives a living hell—until she finds out that Sadie is an Ashams "old girl." Connection and legacy go a long way, and Sadie and Robin are soon invited to parties and sleepovers, part of the inner circle. Meanwhile, Sadie, trained as a barrister but having left work when Robin was born, finds a job helping to organize materials for an upcoming trial in which a young woman has accused her teacher of sexual abuse. As she begins to wonder about the truth of that relationship, a tragedy strikes close to home, and then Robin goes missing. What is the rot at the heart of Ashams? And whom can Sadie trust to help her uncover the truth about the case? The characters are sharply drawn, but there’s not much depth to the plot.
Misdirection, shadows, and a lot of snarky meanness—but in the end, it’s all surface drama.Pub Date: Dec. 1, 2020
ISBN: 978-1-5387-6275-2
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
BOOK REVIEW
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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