In search of adventure, feisty 11-year-old Hallelujah escapes the watchful eye of her guardian and watches Chicago burn down around her during one memorable October week. Meticulously, Robinet re-creates the events of the 1871 fire. Hallelujah wanders about, witnessing behavior both brave and cowardly; performing some brave deeds of her own; alternating between excitement, horror at the destruction, and guilt that she is enjoying the experience; and meeting a succession of people- -including Elizabeth, a wealthy, newly homeless white girl who lives with Hallelujah until her snooty parents track her down. The characters here are less well developed than the themes; adults can sound childlike (``Lordy, Mr. Joseph, what have you done did?'') while children sound like adults (``We're both children. We have the same feelings and needs...''), but Hallelujah sees many people put aside their racial prejudices and pitch in to begin rebuilding. The message sits a bit heavily, and there are some careless repetitions; still, this child's-eye view of a great event should appeal to readers with a historical bent. Bibliography; maps not seen. (Fiction. 10-13)
Pub Date: Oct. 30, 1991
ISBN: 0-689-31655-0
Page Count: 144
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A splendidly exciting and accessible historical adventure.
Tory encounters the independence and adventure she longs for in the untamed city of San Francisco in 1849.
Thirteen-year-old narrator Victoria Blaisdell, known to her family as Tory, lives a comfortably privileged life in mid-19th-century Providence, Rhode Island. She is frustrated and constrained by the influence of her maternal aunt, Lavinia, who believes that girls are to take care of boys and should be educated only at home. But when Tory’s father loses his position and wages and decides to seek gold in California, Tory stows away on the ship that will take him and her fretful younger brother, Jacob, on the seven-month journey to San Francisco. There, Tory finds work to keep herself and Jacob going while their father heads off to the gold fields. When Jacob is kidnapped to be a cabin boy for a ship heading out of the Golden Gate, Tory must appeal to her new friend Thad from Maine and to Sam, a wary young black man from Sag Harbor, New York, to help her navigate an underworld of gambling, rogues, and abandoned ships. Sam and Señor Rosales, who runs the cafe near Tory and Jacob’s tent, are the only nonwhite principal characters. Tory is the only girl. Avi evokes Gold Rush–era San Francisco through Tory’s eyes with empathy and clarity while keeping the action lively.
A splendidly exciting and accessible historical adventure. (Historical fiction. 10-13)Pub Date: March 10, 2020
ISBN: 978-1-5362-0679-1
Page Count: 320
Publisher: Candlewick
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
The exquisite writing can’t compensate for the story’s overwrought elements.
In Wolk’s latest, a self-contained girl finds companionship in one of the most notoriously unfriendly of places: a Maine island.
Twelve-year-old Lucretia and her mother, both artists, have moved to fictional Candle Island for the isolation; grieving the recent loss of Lucretia’s father and with a big secret to keep, they need to be where, as her mother says, “they’ll let us be who we are.” Lucretia soon draws the ire of prickly Murdock and the tentative friendship of Bastian, her cousin, two townies with secrets of their own. Among the island’s summer people are a nosy art critic and three young sociopaths, who all complicate life for Lucretia and her mother, though in very different ways. At a sentence level, this work glows. Lucretia hears sounds as colors (although synesthesia goes unmentioned), layering them onto her narration the way she applies her oils to canvas. Wolk’s characterization and plotting, however, waver. The children too often speak with a formality that’s not attributable to the late 1960s / early ’70s setting, and Lucretia’s self-possession frequently makes her feel far older than 12. The tense cultural backdrop would be an effective one for the exploration of Wolk’s themes were it not for the three summer kids’ flagrant evil, which leaches the story of its subtlety. Most characters present white.
The exquisite writing can’t compensate for the story’s overwrought elements. (Historical fiction. 10-13)Pub Date: April 22, 2025
ISBN: 9780593698549
Page Count: 352
Publisher: Dutton
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
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