by Harry N. MacLean ‧ RELEASE DATE: July 1, 1993
MacLean won an Edgar for In Broad Daylight (1988), which covered the case of a small-town bully shot dead in front of a crowd of locals who ``saw nothing.'' Here, he takes on the equally controversial case of George Franklin, a Californian found guilty of murder 20 years after the fact, the conviction resting almost entirely on his daughter's belated memory (which surfaced in 1989) of having witnessed the killing of her then- best friend, eight-year-old Susan Nason. There's little doubt that, at the time of the murder, Franklin was a disastrous husband and parent: The ``uncharged conduct'' alleged against him (and not contested in court by his attorney) included physical and sexual abuse of his family, most notably his holding down daughter Eileen while a drug dealer raped her. MacLean documents Franklin's virulent racism, heavy drug use, alcoholism, and large collection of pornography (including pedophilic and bestial material) found in his apartment when he was arrested. Yet the accused was on trial for none of these offenses, but only for the murder of eight-year-old Susan—after she'd been raped. No physical evidence connected Franklin to the crime: It was only Eileen's inconsistent testimony, supported by a few expert witnesses on childhood trauma and the repression of memory, that finally convicted him. And the jury's deliberations, MacLean emphasizes, took place without benefit of evidence (contemporary newspaper accounts of the crime) that cast doubt on whether Eileen recalled her own eyewitness details of the killing—or whether she read about these details, then ``remembered'' them. MacLean builds the story of the murder, arrest, and trial in convincing detail, taking care not to intrude with his own judgment of Franklin's guilt or innocence until after he reports the verdict. A riveting, thought-provoking look at a disturbing case. (Photographs—not seen)
Pub Date: July 1, 1993
ISBN: 0-06-016543-X
Page Count: 512
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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