Decades later, into his 50s, Conan will return to rule Aquilonia in de Camp and Carter’s Conan of Aquilonia. Locked-in...
Turtledove abandons the multivolume military fantasy epic of his World War and Great War series to join other Conan chroniclers.
Robert Jordan, L. Sprague de Camp, Lin Carter, and Poul Anderson have also taken on the mind and muscles of Robert E. Howard’s great barbarian Conan, whose earlier exploits have twice been lifted to filmic glory by that brawny Austrian swordsman and beloved thespian Arnold Schwarzenegger. Conan’s new author pops us into the Cimmerian youth somewhat before the Howard saga begins in (1932), but, for today’s readers, it’s just before Arnold’s Conan the Barbarian Weird Tales (1981, later novelized by de Camp and Carter) begins, with Cimmeria being invaded by Thulsa Doom, Conan’s parents being killed, and the kid enslaved to the muscle-building Wheel of Pain. This is also before the Conan character we love today is formed into our icy, doom-driven, somewhat Nordic fatalist who believes in the war god Crom and is contemptuous of civilization—or, as Arnold puts it, rather sublimely, “What is best in life? To crush your enemies, see them driven before you, and to hear the lamentations of their vimmen.” Turtledove opens on familiar gritty prehistoric territory as the Aquilonian Empire (France more or less) crosses the Bossonian Marches, invades Cimmeria (Ireland?), and builds their encampment, Fort Venarium. In the present novel, Conan’s only 12, though big, and, as in the first Conan film, helping his smithy father at his forge. Conan’s home village falls, the Aquilonians build many forts, and then Count Stercus of the Aquilonians lusts for Tarla, the weaver’s daughter, who has also caught Conan’s eye. It’s a long time before Conan can break free of his father’s strictures and actually get into battle and beheading, though he loses both parents and Tarla.
Decades later, into his 50s, Conan will return to rule Aquilonia in de Camp and Carter’s Conan of Aquilonia. Locked-in audience.Pub Date: Aug. 1, 2003
ISBN: 0-765-30466-X
Page Count: 256
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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