Stick with it—there will be surprises, just not the ones you were expecting.

TWO FRONTS

From the War That Came Early series , Vol. 5

Turtledove (Coup d’Etat, 2012, etc.) delivers the fifth installment in his latest series—a final volume is promised—developing an alternate-history version of World War II.

This widescreen Technicolor what-if began with Turtledove’s 2009 novel Hitler’s War, which portrayed a World War II starting with a 1938 German invasion of Czechoslovakia. Real history and Turtledove’s imaginary version continued to diverge thereafter, as Britain and France allied themselves with Nazi Germany to battle the communist Soviet Union. The U.S. goes to war with Japan while avoiding the European theater, and in Spain, fascist Nationalists with German backing wage trench warfare against mingled Communists and Republicans allied with free Czechs and independently operating Americans and British. Now, however—and we’ve only reached 1942—following an anti-fascist coup, Britain has joined with France to open a western front against Germany. Again, the number of plotlines and characters can be bewildering: frontline soldiers on the European western and eastern fronts, sailors and marines on Hawaii, Japanese pilots in China, civilian Americans and German Jews, Ukrainian partisans and Czech snipers, among others. Inevitably, major historical figures merely rate a mention or die offstage in plausible fashion. Patience is a necessary virtue when reading Turtledove’s slow, knowledgeable, scattershot saga, and any earlier impressions of his building toward some earth-shattering conclusion are shown, here, to be quite incorrect. Instead, Turtledove embeds many small, subtle hints—to reveal them would be to give the game away—that his real objective is to paint, brush stroke by brush stroke, a postwar landscape quite different than the one that prevailed in the real world.

Stick with it—there will be surprises, just not the ones you were expecting.

Pub Date: July 23, 2013

ISBN: 978-0-345-52468-3

Page Count: 416

Publisher: Del Rey/Ballantine

Review Posted Online: June 18, 2013

Kirkus Reviews Issue: July 1, 2013

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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