Funny, allegorical, and profound stories.


Characters burdened by guilt, regret, and ostensible madness populate White’s collection of provocative tales.

Amy Sullivan is excited to be on her own attending the University of Minnesota in “The Enigma Man.” She’s ready to explore the wonders far away from her Iowa hometown, like the mysterious titular figure who frequents the library where she works. But learning about this man may not bring her the answers she wants. It’s a dispassion that characters experience throughout White’s book. Joseph Singer of “Winter Journeys,” for example, is a man who’s never accepted his biological father as a dad and considers himself an unwanted child. The author typically fills his stories with metaphors. In the case of “The Antijew,” a legendary creature’s most recent incarnation is Sol Pinsky, who, despite little recognition, inexplicably earns 93% of the popular vote in the U.S. presidential election. The stories are multilayered, including those with overt religious themes. “A Brief History of Madness,” for one, follows Joseph Christman, an orphan who ultimately becomes an apprentice carpenter. But it’s also about a boy at a Catholic college whose professor deems him insolent merely for questioning biblical stories. White’s prose is simple yet elegant: A rabbi describes a reputedly invisible wagon as, “A magic wagon to be sure, but magic or no, it makes a lot of noise if you drive it too fast. I am afraid that there is no magic for that.” There are instances of wry humor as well. In the title story, a werewolf in the town of Polnoye is primarily a nuisance, disrupting men’s prayers and making “shambles” of bar mitzvahs. How the townsfolk handle said wolf is pleasantly surprising. The book features Chicago-based artist Segedin’s work in various media (acrylic, watercolor, etc.), showcasing a consistent style spanning decades.

Funny, allegorical, and profound stories. (author bio, artist’s bio)

Pub Date: March 9, 2020

ISBN: 978-1-09-830349-5

Page Count: 160

Publisher: Book Baby

Review Posted Online: April 19, 2020

Kirkus Reviews Issue: May 15, 2020

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The World War II Hollywood setting is colorful, but it’s just a B picture.


An ambitious young Italian woman makes her way among the émigrés of 1930s and ’40s Hollywood.

Maria Lagana has come to Los Angeles after her father is sentenced to confino—internal exile—for his anti-fascist advocacy in Mussolini’s Italy. Living with her mother in the Italian American neighborhood of Lincoln Heights—also home to a trio of no-nonsense great-aunts forever dressed in black—Maria finds work as a typist at Mercury Pictures International, working in the office of studio head Artie Feldman, a fast-talking showman with a collection of toupées for every occasion. In time, the letters from her father stop, and Maria becomes an associate producer, Artie’s trusted right hand, as well as the secret lover of Eddie Lu, a Chinese American actor relegated to roles as Japanese villains. When a young Italian immigrant turns up at her door introducing himself as Vincent Cortese, Maria’s past—and the mystery of what happened to her father—crashes into her present. Like the author’s earlier novels, the award-winning A Constellation of Vital Phenomena (2013) and The Tsar of Love and Techno (2015), this one builds a discrete world and shows how its denizens are shaped—often warped—by circumstance. But the Hollywood setting feels overfamiliar and the characters curiously uninvolving. While the prose frequently sings, there are also ripely overwritten passages: At a party, the “thunking heels of lindy-hopping couples dimpled the boozy air”; fireworks are described as a “molten asterisk in the heavens to which the body on the ground is a footnote.”

The World War II Hollywood setting is colorful, but it’s just a B picture.

Pub Date: July 19, 2022

ISBN: 978-0-451-49520-4

Page Count: 432

Publisher: Hogarth

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.


Covering 250 years, Ford’s new novel traces the way states of consciousness involving extreme moments of pain or joy interconnect seven generations of Chinese women.

Embedded images—airplanes, ships, waves—and the occasional ghostly vision highlight how these women’s lives reverberate as the focus moves back and forth in time. In 1942 China, Faye Moy, a nurse in her 50s who’s working with American forces, feels an eerie connection to a dying young pilot in whose pocket she finds a newspaper photograph of herself as a teenager and a note in her own handwriting that says, “FIND ME.” Finding oneself and/or one’s soul mate becomes the throughline of the book. Faye’s great-grandmother Afong Moy, the first Chinese woman in America, dies in childbirth after a short career being exhibited as a curiosity in the 1830s. Faye’s mother, Lai King (Afong’s granddaughter), sails to Canton after her parents’ deaths in San Francisco’s Chinatown fire of 1892. Onboard ship she bonds with a young White boy, also an orphan, and nurses him when contagion strikes. When Faye is 14, she has an illegitimate daughter who is adopted and raised in England. Presumably that girl is Zoe Moy, who, in 1927, attends the famously progressive Summerhill School, where a disastrous social experiment in fascism destroys her relationship with a beloved poetry teacher. In 2014, Zoe’s emotionally fragile granddaughter, Greta, loses both her skyrocketing tech career and the love of her life at the hands of an evil capitalist. While several earlier Moys receive aid and guidance from Buddhist monks, Greta’s troubled poet daughter, Dorothy, turns to both Buddhism and radical scientific treatment to uncover and understand how past crises, emotional, physical, and spiritual, are destabilizing her current life in 2045. Expect long treatises on anamnesis, quantum biology, and reincarnation before traveling with Dorothy’s adult daughter in 2086.

Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.

Pub Date: Aug. 2, 2022

ISBN: 978-1-9821-5821-7

Page Count: 384

Publisher: Atria

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: June 1, 2022

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