A multilayered but self-conscious adventure story told by National Geographic journalist Arden and photographer Wall, who embark on personal spirit-journeys while returning to investigate the living culture of Native American wisdom (their first account was Wisdomkeepers, not reviewed.) A spirit-journey is a journey into metaphor as a means to the belief system of others, as well as self. Using this definition of spirit-journey to drive the narrative, Arden and Wall take on a mission: tracing the dying generation of Native American elders known as Wisdomkeepers, for a National Geographic article. Multiple roadblocks, from professional red tape to personal prejudices, keep the actual stories of the Native American elders from being satisfactorily revealed. Instead, the roadblocks themselves become the predominant, but less compelling, story. As Arden and Wall pursue the “truth” behind “Indian ways——the work of “real” medicine men, Indian reactions and remedies to pollution and the desecration of ancestral graves—they frequently give less weight to the telling of the Native American point of view than to the telling of their own perspective as whites studying Indian culture. They travel from the Iroquois Nation to the Everglades to the Oklahoma burial grounds of the Shawnee, collecting Indian blessings and warnings about impending natural disasters. While the two journalists seem to connect intimately with Indian people, the poetry of Native American culture, and their experience of it, is replaced with more prosaic events like getting the Geographic editorial board to accept a story despite “mystical” overtones. The most important messages, spoken by Arden himself and Chief Shenandoah of the Six Iroquois Nations, are obscured by unending personal reflection. Arden says, “The great challenge of our time is to find metaphors that include rather than exclude.” Shenandoah says, “I’m working for the creation. I refuse to take part in its destruction.” If Arden and Wall had been less reluctant to exclude themselves in their self-reflection, the more important story of their involvement in the creation and its destruction might have been told. (photos, not seen)
Pub Date: Nov. 1, 1998
ISBN: 0-684-80094-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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