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PRISON WRITINGS

MY LIFE IS MY SUN DANCE

An important contribution to Native American letters, sure to stir both controversy and renewed attention for Peltier’s...

            Part manifesto, part memoir, a standout collection by the celebrated, long-imprisoned American Indian Movement co-founder and activist.           

            Peltier, a Sioux Indian, has been in federal prison since 1977, convicted of killing two FBI agents during the 1973 siege at Wounded Knee, S.D.  Peltier asserts that he did not commit these murders, writing simply, “Innocence has a single voice that can only say over and over, ‘I didn’t do it.’  Guilt has a thousand voices, all of them lies.”  (In his preface, former attorney general Ramsey Clark makes a compelling argument for why we should believe Peltier, a case also made by Peter Matthiessen in his much-litigated book In the Sprit of Crazy Horse).  In this anthology, Peltier charts the course of his activism, describing his evolution from a young man on a South Dakota reservation who wanted what other young men in his circumstances wanted – a car, a job – to a political organizer keenly aware of the injustices visited past and present on America’s indigenous peoples.  Although he too easily falls into sloganeering (“We are the voices of the earth.  We speak for those who are not yet born.  When you exclude us, you exclude your own conscience.  We are your conscience!”), Peltier has much to say about American Indian politics, a dauntingly complex set of issues; among other things, he insists that the US government follow a Canadian model in offering reparations for historical wrongs.  He also advances the plausible view that the siege at Wounded Knee was a sideshow meant to disguise a deal through which a uranium-rich portion of the Pine Ridge Sioux reservation was ceded to the federal government.  Writing more personally, Peltier recounts the intricacies of living behind bars.  “As a houseguest in hell,” he writes, “you learn that the devil has many mansions, and you keep shuttling between them for no know reason.”

            An important contribution to Native American letters, sure to stir both controversy and renewed attention for Peltier’s ongoing quest for freedom.         

Pub Date: June 23, 1999

ISBN: 0-312-20354-3

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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