An important, underheard voice.

READ REVIEW

THE JOURNEY OF YORK

THE UNSUNG HERO OF THE LEWIS AND CLARK EXPEDITION

York was the only man who set out with Lewis and Clark on their journey of exploration who did not volunteer. As William Clark’s enslaved manservant and the only nonwhite member, he didn’t have the choice.

In a series of brief, dated snapshots, York narrates the story of the expedition from his embarkation from Louisville in 1803 to the eve of their departure from the Oregon coast in 1806. In between, he covers incidents both oft-told (Sacagawea’s joining the party at Fort Mandan; the geographical challenges met) and rarely heard (Clark’s use of York to impress Native peoples; York’s inclusion in the vote on the decision to site their final winter camp). Davis imagines York’s feelings as he navigates his role as both enslaved African-American man and almost-full member of the expedition, narrating in a stiff voice that emulates 19th-century prose and also captures the stress of life as a second-class citizen: “After that vote…I worked as hard as any three men. Capt. Clark said that I ‘pushed my body to exhaustion.’ I just wanted to show the others how much I deserved that vote.” Harris’ illustrations also evoke the flat, primitive style of much 19th-century painting. Compositions frequently place York at the margins or in the shadows, underscoring the fact that he was not a full member of the party. A closing author’s note contextualizes and complicates his legacy.

An important, underheard voice. (glossary) (Picture book. 5-10)

Pub Date: Jan. 1, 2019

ISBN: 978-1-5435-1282-3

Page Count: 40

Publisher: Capstone Editions

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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Sage, soothing ideas for a busy, loud, sometimes-divisive world.

GRANDMA'S GARDENS

In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.

Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.

Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-593-11535-0

Page Count: 40

Publisher: Philomel

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter

MALALA'S MAGIC PENCIL

The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.

Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.

An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter . (Picture book/memoir. 5-8)

Pub Date: Oct. 17, 2017

ISBN: 978-0-316-31957-7

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Aug. 2, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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