Appealing to bibliophiles; likely to nurture a love of reading in others.
Even the most reluctant reader can get lost in the right book.
After learning about the wonders of the library in All the Books (2024), Piper Waterstone hasn’t stopped reading. The excited chipmunk is eager to check out every single title on the librarian’s yearly reading challenge list. But her friend Gregory the raccoon isn’t interested at all. He would rather pretend to duel with a tree branch sword or walk the (imaginary) plank. Piper tries to entice him with each book on the list: “What about this book with a boy who builds a bridge to an imaginary kingdom?”—a reference to Katherine Paterson’s Bridge to Terabithia (1977). Gregory, who happens to be on rope swing (another wink to Paterson’s novel) at the time, is apathetic. But when torrential rain hits the forest for three days straight and Gregory can’t play outdoors, his boredom just might make the last book on Piper’s list (the one with pirates) enticing enough. White, wispy, fantastical images swirl over Piper as she describes each book to Gregory (the list of titles referenced is included), and the forest neighborhood is drenched in soft yellows, greens, and browns. But Piper’s reading chair, with steamy cup of tea and warm candle, just might be the coziest spot of all; reluctant readers will be won over.
Appealing to bibliophiles; likely to nurture a love of reading in others. (Picture book. 3-6)Pub Date: Sept. 29, 2026
ISBN: 9780316588423
Page Count: 40
Publisher: Alvina Ling Books/Little, Brown
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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