A SECOND IS A HICCUP

A CHILD’S BOOK OF TIME

How long is a second? How about a minute? An hour? A day? Hutchins has all the right answers to these time-related questions and more, and she explains them flawlessly, in terms just right for young children. A second, for example, “is a hiccup—The time it takes to kiss your mom / Or jump a rope / Or turn around.” An hour is “Sixty minutes singing by. / If you build a sandy tower / Run right through a sprinkly shower / Climb a tree and smell a flower / Pretend you have a secret power / That should nicely fill / An hour.” With a sense of wonder and gentle whimsy reminiscent of Ruth Krauss, each line of text rhymes and dances along with three playful children and their families as they explore and travel through a year’s worth of sunrises, seasons, growing, counting, learning and fun. Imminently appealing watercolor illustrations, replete with warmth, complement the text perfectly. An excellent read-aloud and a great choice for any child learning about time. (Picture book. 4-7)

Pub Date: March 1, 2007

ISBN: 0-439-83106-7

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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THE SNOWY NAP

A hedgehog tries to stay awake for winter.

It’s almost time to hibernate, and Hedgie means to. But as he sniffs the chilly wind, farmyard animals taunt him about what he’ll miss. The hens’ coop will be “bedazzled by icicles”; the geese will joyfully “slip and slide across the pond ice”; the pony will pull a sleigh; snowflakes will fall, no two alike. The animals heckling Hedgie—hens, geese, sheep, pigs, a billy goat, a pony—are drawn with fine lines, hatchings, and textures. Because their faces are mostly realistic with only faint hints of anthropomorphism, their needling is subtle; some readers may hear their points as merely informative. Either way, Hedgie’s seized by FOMO: He decides to stay awake. When he accidentally nods off, farm girl Lisa brings him indoors and places him in a tea cozy on a windowsill. Nature will eventually run its course, but not before Hedgie finally glimpses “flowers of frost decorating his window,” the chicken coop “sparkl[ing] like a palace,” and Lisa pond-sliding with the geese. Brett’s watercolor-and-gouache illustrations feature both soft and bright colors, with fine lines and copious textures to peruse; the borders are characteristically fussy (braided yarn, pinking-shears edging, oval insets) but not distractingly so. Between the opulent farmhouse with decorative plates on the walls, the sleigh with sleigh bells, and the lack of adults, combined with a comfortably heated interior, this is a winter idyll. Lisa presents white.

Amiable. (Picture book. 4-7)

Pub Date: Oct. 16, 2018

ISBN: 978-0-399-17073-7

Page Count: 32

Publisher: Putnam

Review Posted Online: Aug. 14, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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  • SPONSORED PLACEMENT

One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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