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WHAT DO WE KNOW ABOUT THE CELTS?

The catechism-style queries heading the 17 topical spreads here may seem a bit off-putting, but they're an admirably direct approach to information and subjects likely to interest children- -not only concerning ``what'' is known, but how the surviving evidence can be interpreted. On each spread, a brief paragraph addresses the question at hand (``Did the Celts go shopping?...[not] like we do. Instead, they grew their own food...However, luxury goods such as jewelery [sic] were bought...''). Extensively captioned photos and drawings of artifacts and reconstructions amplify the information on crafts and trade, origins and tribal movements, family structure, beliefs, and more. Like a well-crafted exhibit, an inviting introduction that offers a good sampling of objects with real stories to tell, together with lucid explanations of how these can be read (Martell even cautions that contemporary descriptions of Celts ``were written by people who thought their civilizations were better than the Celtic one,'' and gives an egregious example from Julius Caesar). Timeline; glossary; index. (Nonfiction. 8- 11)

Pub Date: June 30, 1993

ISBN: 0-87226-363-0

Page Count: 46

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1993

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THE STORY OF SALT

The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)

Pub Date: Sept. 1, 2006

ISBN: 0-399-23998-7

Page Count: 48

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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WILLIAM SHAKESPEARE AND THE GLOBE

PLB 0-06-027821-8 For Aliki (Marianthe’s Story, 1998, etc.), the story of the Globe Theatre is a tale of two men: Shakespeare, who made it famous, and Sam Wanamaker, the driving force behind its modern rebuilding. Decorating margins with verbal and floral garlands, Aliki creates a cascade of landscapes, crowd scenes, diminutive portraits, and sequential views, all done with her trademark warmth and delicacy of line, allowing viewers to glimpse Elizabethan life and theater, historical sites that still stand, and the raising of the new Globe near the ashes of the old. She finishes with a play list, and a generous helping of Shakespearean coinages. Though the level of information doesn’t reach that of Diane Stanley’s Bard of Avon (1992), this makes a serviceable introduction to Shakespeare’s times while creating a link between those times and the present; further tempt young readers for whom the play’s the thing with Marcia Williams’s Tales From Shakespeare (1998). (Picture book/nonfiction. 7-10)

Pub Date: May 31, 1999

ISBN: 0-06-027820-X

Page Count: 48

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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