An idyllic view of the conventional annual cycle.
Trees leaf out and change color, wildflowers bloom, birds nest, and fawns and fox kits grow through a four-season round.
The hand of man never appears in Taylor’s deciduous dells, and they teem with wildlife for young viewers to spot. Maskell’s bland text, set in noodle-shaped captions, helps by pointing out highlights or setting easy challenges: “A woodpecker drums on a tree trunk calling for a mate”; “The leaves turn red, orange, and gold”; “Can you count 12 birds with yellow chests?” If the natural history is sometimes a bit vague (“Minibeasts live inside this tree trunk, and others creep up underneath”) and much of the flora and fauna goes unidentified, still the sylvan residents are at least naturalistically depicted. Also, though the woodland biome doesn’t change, each scene is slightly different, as though viewers were turning in place. The artist varies the quality of light from tableau to tableau as well, and the pop-up trees create tantalizing depths and shadows. The covers can be folded back and tied with a ribbon to create a turnable panorama. Most animals will be recognizable to residents of the temperate zones of North America despite the book’s European setting.
An idyllic view of the conventional annual cycle. (Informational pop-up novelty. 5-8)Pub Date: Sept. 25, 2018
ISBN: 978-1-78627-306-2
Page Count: 8
Publisher: Laurence King
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
A mixed bag.
An alphabetical tour of emotions.
This British import mixes words that many young kids will know, such as brave, kind, and mad (the last defined in the American sense, as angry), with less-familiar ones such as overwhelmed and vulnerable. It even features at least one word that may be new to adults: “X is for Xenial….Xenial is being welcoming to strangers.” Compounding the difficulty here, the visual image of a Black kid dressed as a magician hugging a rabbit they’ve pulled out of a hat does not exactly illustrate xeniality (xenialness?). Other illustrations do a better job of helping readers understand the words being introduced. The illustrations feature racially diverse children and are usually paired in each double-page spread: “A is for Anxious. Anxious is feeling really worried about something. / B is for Brave. Brave is being nervous about something and doing it anyway.” On the A page, a brown-skinned kid cowers from the dragon that encircles their bed, as in a nightmare. Across the gutter on the B page, the ferociously scowling child confronts the now-intimidated monster. Kids will get an immediate sense of those two words. Animals, real and imaginary, often play a role in the pictures. The book will be best shared one on one or in very small groups, when children can really spend time examining the pictures and talking about their own impression of what is happening in each picture. (This book was reviewed digitally.)
A mixed bag. (word list) (Picture book. 5-7)Pub Date: Sept. 14, 2021
ISBN: 978-0-593-20519-8
Page Count: 32
Publisher: Philomel
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Not exactly evenhanded in ascribing genetic agency but joyous, clever, and inclusive.
Actor and podcaster Rivas offers effervescent affirmation that when it comes to being alive, we are all huge winners.
It all begins with “the biggest race of your life,” depicted in Boroff’s animated, glowing illustrations as a cloud of sperm rendered as thumbprints or thumbprint-shaped blobs with long, wriggly tails zooming toward an egg cell. Being “crafty…quick…smart and a little wild,” one particular “you” got there first, and with a bit of placental protection, “all the forces of the universe cooperated so that you could be here.” Rivas covers the bases, evolution-wise, with separate, allusive references to a heritage measured in “billions of years” and to something “mysterious, immense, and profound” that “had already decided, since the beginning of time, that you would exist.” More importantly, you were wanted, the author affirms. And, being “a champion of champions. Genetically speaking,” you “WERE BORN A WINNER.” The egg’s role doesn’t get much explicit notice in the narrative, but it does in the artwork, which includes schematic but recognizable views of an ovum, a placenta, and several figures with bulging midriffs. Also, on another page, silhouetted couples, including one who uses a wheelchair, dance at a “starting line” (and “there are many starting lines,” Rivas writes).
Not exactly evenhanded in ascribing genetic agency but joyous, clever, and inclusive. (Picture book. 5-8)Pub Date: July 16, 2024
ISBN: 9798986827346
Page Count: 40
Publisher: Wheat Penny Press
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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