by H.B. Moore ‧ RELEASE DATE: Aug. 30, 2016
A satisfying historical thriller.
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Omar Zagouri must delve into a mystery dating back to the 16th century when he’s targeted by murderous conspirators in Moore’s (Exodus, 2016, etc.) sequel.
Omar, an Israel-based special agent, frequently looks into situations involving long-lost archaeological treasures. The prize at the center of this novel is a trove of letters from the Ottoman emperor Suleiman the Magnificent to his favorite wife, Roxelane. Disgruntled antiques shop owner Baris Uzuner hopes to use these letters to prove that Roxelane plotted the death of Suleiman’s eldest son, Mustafa, in order to elevate her own son to the throne. Baris hopes to kill the descendants of Roxelane and restore a monarchy—with himself at the helm as Mustafa’s heir. When Omar, who’s related to Roxelane, is targeted and his mother gravely injured, he sets himself on a mission to thwart Baris’ plans. He soon discovers that Baris isn’t the only person with designs on the letters. With the help of his partner/girlfriend, Mia Golding, linguistics expert Leyla Kaplan, and smuggler Naim Bata, Omar must figure out who’s bankrolling Baris and stop him before it’s too late. Moore does an excellent job of setting the scene of international intrigue, and although this novel is part of a series, it also works well as a stand-alone. The story jumps back and forth between the present and the past as Moore tells the story of Roxelane’s capture by the Turkish army and her subsequent love affair with Suleiman. The past sections are often more compelling than those set in the present, which are a bit predictable but still entertaining. Roxelane is an excellent, strong female character, and Moore brings some obscure players from the Ottoman Empire vividly to life. She even quotes from Suleiman’s actual poetry, using lines such as “My springtime, my merry-faced love, my daytime, my sweetheart” to conjure a complex portrait of this larger-than-life figure.
A satisfying historical thriller.Pub Date: Aug. 30, 2016
ISBN: 978-1-5039-3883-0
Page Count: 368
Publisher: Thomas & Mercer
Review Posted Online: Aug. 17, 2016
Review Program: Kirkus Indie
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Michael Crichton ‧ RELEASE DATE: May 23, 2017
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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