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VIVALDI

VOICE OF THE BAROQUE

Short in length but long on scholarship, a ``life and works'' of the 18th-century Venetian master that belongs on the shelf of every serious music student. Robbins Landon, the distinguished musical archaeologist whose labors led to the rediscovery of much of Haydn's lost or neglected music, has also turned his attention recently to Mozart (1791, etc.). He now skips back a generation to focus on the composer whose name has become synonymous with the Italian baroque—not wholly new territory, since Robbins Landon also coauthored Five Centuries of Music in Venice (1991—not reviewed), but what prompted him to attempt a complete life of Vivaldi was the worldwide fascination with The Four Seasons. Prior to the 1950 Cetra recording of those four violin concerti, Vivaldi had been virtually forgotten for 200 years after having been buried in an unmarked pauper's grave in Vienna; today, he's one of the immortals. Yet Robbins Landon chooses not to speculate about the cause of the amazing ``Vivaldi renaissance.'' He's content to present a detailed, chronological, strictly factual biography, including Vivaldi's years as violin virtuoso and teacher of gifted orphan girls; his growing list of compositions; and his travels around Italy and, ultimately, Vienna—almost all undertaken in connection with his frustrated attempts to become established as an opera composer. Robbins Landon's method is to quote verbatim documents, letters, and dedicatory inscriptions in the original language (most are then translated): This exact but stern presentation may not appeal to the casual reader. The author inserts himself only long enough to recount his unsuccessful attempt to edit some of Vivaldi's many operas for modern presentation; he soon decided that the attempt was doomed. He notes that, unlike Haydn's operas and surely unlike Vivaldi's instrumental and religious music, Vivaldi's operas seem to offer little to contemporary listeners. But the author also has the good grace to hope that he'll be proved wrong. No fluff—just the facts and an invitation to explore the music. (Thirty illustrations)

Pub Date: Oct. 1, 1993

ISBN: 0-500-01576-7

Page Count: 240

Publisher: Thames & Hudson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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