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VIVALDI

VOICE OF THE BAROQUE

Short in length but long on scholarship, a ``life and works'' of the 18th-century Venetian master that belongs on the shelf of every serious music student. Robbins Landon, the distinguished musical archaeologist whose labors led to the rediscovery of much of Haydn's lost or neglected music, has also turned his attention recently to Mozart (1791, etc.). He now skips back a generation to focus on the composer whose name has become synonymous with the Italian baroque—not wholly new territory, since Robbins Landon also coauthored Five Centuries of Music in Venice (1991—not reviewed), but what prompted him to attempt a complete life of Vivaldi was the worldwide fascination with The Four Seasons. Prior to the 1950 Cetra recording of those four violin concerti, Vivaldi had been virtually forgotten for 200 years after having been buried in an unmarked pauper's grave in Vienna; today, he's one of the immortals. Yet Robbins Landon chooses not to speculate about the cause of the amazing ``Vivaldi renaissance.'' He's content to present a detailed, chronological, strictly factual biography, including Vivaldi's years as violin virtuoso and teacher of gifted orphan girls; his growing list of compositions; and his travels around Italy and, ultimately, Vienna—almost all undertaken in connection with his frustrated attempts to become established as an opera composer. Robbins Landon's method is to quote verbatim documents, letters, and dedicatory inscriptions in the original language (most are then translated): This exact but stern presentation may not appeal to the casual reader. The author inserts himself only long enough to recount his unsuccessful attempt to edit some of Vivaldi's many operas for modern presentation; he soon decided that the attempt was doomed. He notes that, unlike Haydn's operas and surely unlike Vivaldi's instrumental and religious music, Vivaldi's operas seem to offer little to contemporary listeners. But the author also has the good grace to hope that he'll be proved wrong. No fluff—just the facts and an invitation to explore the music. (Thirty illustrations)

Pub Date: Oct. 1, 1993

ISBN: 0-500-01576-7

Page Count: 240

Publisher: Thames & Hudson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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