Audiences will be guessing not just who the murderer is, but what kind of craziness lurks around the corner.

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NOT ON THE LIST

The latest from Alberts (Photographic Memory, 2014, etc.) sees a motley collection of detectives, special operatives, and imaginary beings investigate a murder that has displeased Death itself.

Jules Sallie, of Sun Prairie, Wisconsin, can’t keep a job. He’s just been fired from his tech-support position with MyTronix, and his friend Billy at the temp agency Kronos & Associates doesn’t have a new job for him. Jules gets drunk and wanders into a homeless camp where he samples a strange concoction. After passing out, he wakes up feeling enlightened—he’s also made friends with a garbage troll named Billabong Willie. Meanwhile, in Madison, Death seeks the help of Ed and Phil, of the Unseen Detective Agency; they investigate crimes in the world of gods, demigods, and other fantastic beings invisible to normal society. Dedun, the Nubian God of Incense, has been killed, but he wasn’t on Death’s list—someone else is responsible. The link between Jules’ newly found wisdom and Dedun’s murder may lie with the Map Watchers. Hal and Calvin watch over Madison, keeping track of individuals both mortal and immortal using a sophisticated live map. When an anomaly pops up in Sun Prairie, they wonder if the Replacement has arrived. But who is the Replacement, and what is the connection to Dedun? Author Alberts has once again delivered a vigorous whirlwind of ideas, this time in the shape of a fantasy whodunit. His knowledge of classical and popular deities is put to work, and the result is so colorful that readers may wish for him to trim the cast (Santa Claus, Destiny personified, and a leprechaun among them). Alberts’ prose is swimming in puns, most of which are entertaining—though some feel forced (one chapter title is “The Garage Band is Garage Banned”). Longtime sci-fi fans will enjoy the references sprinkled throughout, including those to Star Wars and Stranger in a Strange Land’s “grokking.” Ultimately, readers should strap in for a bizarre, though warm adventure.

Audiences will be guessing not just who the murderer is, but what kind of craziness lurks around the corner.

Pub Date: Feb. 27, 2015

ISBN: 978-1508668398

Page Count: 330

Publisher: CreateSpace

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: June 15, 2015

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A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

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SHAKESPEARE FOR SQUIRRELS

Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.

Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Pub Date: May 12, 2020

ISBN: 978-0-06-243402-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Fierce, poetic, uncompromising.

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THE CITY WE BECAME

This extremely urban fantasy, a love/hate song to and rallying cry for the author’s home of New York, expands her story “The City, Born Great” (from How Long ’Til Black Future Month, 2018).

When a great city reaches the point when it's ready to come to life, it chooses a human avatar, who guides the city through its birthing and contends with an extradimensional Enemy who seeks to strike at this vulnerable moment. Now, it is New York City’s time to be born, but its avatar is too weakened by the battle to complete the process. So each of the individual boroughs instantiates its own avatar to continue the fight. Manhattan is a multiracial grad student new to the city with a secret violent past that he can no longer quite remember; Brooklyn is an African American rap star–turned–lawyer and city councilwoman; Queens is an Indian math whiz here on a visa; the Bronx is a tough Lenape woman who runs a nonprofit art center; and Staten Island is a frightened and insular Irish American woman who wants nothing to do with the other four. Can these boroughs successfully awaken and heal their primary avatar and repel the invading white tentacles of the Enemy? The novel is a bold calling out of the racial tensions dividing not only New York City, but the U.S. as a whole; it underscores that people of color are an integral part of the city’s tapestry even if some white people prefer to treat them as interlopers. It's no accident that the only white avatar is the racist woman representing Staten Island, nor that the Enemy appears as a Woman in White who employs the forces of racism and gentrification in her invasion; her true self is openly inspired by the tropes of the xenophobic author H.P. Lovecraft. Although the story is a fantasy, many aspects of the plot draw on contemporary incidents. In the real world, white people don’t need a nudge from an eldritch abomination to call down a violent police reaction on people of color innocently conducting their daily lives, and just as in the book, third parties are fraudulently transferring property deeds from African American homeowners in Brooklyn, and gentrification forces out the people who made the neighborhood attractive in the first place. In the face of these behaviors, whataboutism, #BothSides, and #NotAllWhitePeople are feeble arguments.

Fierce, poetic, uncompromising.

Pub Date: March 24, 2020

ISBN: 978-0-316-50984-8

Page Count: 448

Publisher: Orbit

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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