Limited scope notwithstanding, this is terrific for browsing, thinking, dreaming and art-making.
An all-too-brief introduction to art for the younger set.
Alexander and Hamilton have previously teamed up on titles in the wonderfully accessible and affordable A Child’s Introduction to… series. This lively and kidcentric entry highlights 40 big names, mostly European and male artists (Michelangelo, Pierre-Auguste Monet, Diego Velázquez, Vincent Van Gogh, Pablo Picasso, Salvador Dalí, etc.), in a series of two-page spreads grouped thematically. The book’s handsome design captivates with an inviting cover and appealing 10-inch square trim. Though very heavy on the classics of European painting and sculpture, Alexander’s accessible and readable text effectively combines with Hamilton’s fluid, ink-and-watercolor vignettes and well-chosen reproductions of “signature” works. Further enlivened by intriguing, informative sidebars on theory, movements and techniques, it also features many related hand-on projects. A few very small nods of recognition to Asian, ancient Greek and Roman, Egyptian, African and Native American art are offered—though at 96 pages one could hardly expect an inclusive, definitive resource. And it is light on diversity: Mary Cassatt is the only woman receiving a two-page spread, and Jacob Lawrence is the sole African-American painter. But then the only other Americans among this artistic Top 40 are Winslow Homer, Jackson Pollock and Andy Warhol.
Limited scope notwithstanding, this is terrific for browsing, thinking, dreaming and art-making. (index, timeline, removable coloring sheets) (Nonfiction. 9-14)Pub Date: May 20, 2014
ISBN: 978-1-57912-956-9
Page Count: 96
Publisher: Black Dog & Leventhal
Review Posted Online: March 31, 2014
Kirkus Reviews Issue: April 15, 2014
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
Weaving together architectural, engineering and Native American history, Weitzman tells the fascinating story of how Mohawk Indian ironworkers helped construct the sprawling bridges and towering skyscrapers that dominate our urban landscape. The book begins with a brief but informative history of the Kanien'kéhaka—People of the Flint. Leaders in establishing the League of the Iroquois, a confederation of Indian nations in the New York region, Mohawks had a longstanding reputation for their sense of tight-knit community, attraction to danger and love for physical challenge, qualities that served them well when hired in the late 1800s to do the most arduous work in railroad and bridge construction. With the advent of the skyscraper, Mohawks possessing agility that seemed gravity-defying worked hundreds of feet above the ground. They were not immune to tragedy, and the author discusses in detail the collapse of the Québec Bridge that killed 31 Mohawk workers. Illustrated with black-and-white photographs that capture the daring spirit of these heroic workers, the concise, captivating account offers great insight into the little-known but considerable role Native Americans played in our architectural and engineering achievements. (glossary, bibliography, source notes, index) (Nonfiction. 10-14)
Pub Date: Sept. 14, 2010
ISBN: 978-1-59643-162-1
Page Count: 128
Publisher: Flash Point/Roaring Brook
Review Posted Online: July 30, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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