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WHAT THE VALLEY KNOWS

A taut, compelling family tale.

A debut novel mixes high school drama, teen romance, and a strong thread of mystery and thriller.

New kids are a big deal in the quiet town of Millington Valley. All the more so when they’re as eye-catching as Molly Hanover, who makes a splash when she arrives in her senior year of high school and begins going out with football star Wade Thornton. Wade’s friendships fray, especially with his best friend and teammate, Tommy “Legs”; cheerleaders like Missi Reynolds harass Molly over her newfound happiness; and her mother’s landlord hangs around, becoming more than a little creepy. But when Molly is about to tell Wade and her mother, Ann, about the worst of what’s really been happening to her, the rush of emotion and Wade’s nasty drinking habit put them in a terrible accident. Molly wakes to discover scars weighing on her once-beautiful features while holes and suspicions eat at her memory. With her memory in pieces and her injuries severe, matters only seem to be getting worse for her, Ann, and Wade. If no one can put together what Molly was so desperate—and afraid—to tell her loved ones, disaster will be just around the next bend. With strong prose and pacing, the pages turn quickly and easily. Ann’s need to provide a good life for her daughter; Molly’s insecurities and love of words; and Wade’s fraught relationship with his town, team, and alcohol all feel genuine and well-conceived. That said, Christie’s story can feel light on detail at times. Wade’s initial, intense feelings for Molly are well-conveyed, but their relationship doesn’t have quite enough space, communication, and context to grow and deepen. The same goes for Molly, whose feelings when dealing with bullying and harassment are clear and palpable, but who has almost no time to process the worst of what happens to her before the accident seals her memory. It’s also worth noting that few of the secondary players really seem to have lives outside of their dealings with the protagonists. That said, the central characters’ story has plenty to make it worthwhile, and many readers are sure to feel at home with this intriguing book despite any shortcomings.

A taut, compelling family tale.

Pub Date: Jan. 25, 2018

ISBN: 978-1-61296-940-4

Page Count: -

Publisher: Black Rose Writing

Review Posted Online: Oct. 30, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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