Sobering and thought-provoking ideas wrapped in an engaging plot.
This chilling satire follows one teenager’s efforts to escape from the reality TV franchise financially supporting her large family.
Chloe’s suicide attempt abruptly ended her family’s 19 Kids and Counting–style reality show. During the following four camera-free years, she changed her name and overcame debilitating panic attacks, successfully concealing her fame. Now a high school senior on the cusp of a new romance, Chloe panics when an invasive new reality show contract exposes her identity. Genuinely terrified of exposing herself and her friends to public criticism and humiliation, Chloe begs for privacy. The convincingly malevolent program producer responds with threats of financial ruin for the entire family, and Chloe’s monstrous mother dismisses the requests as selfish teen rebellion—even implying that Chloe’s suicide attempt ruined the family. In her real life, Chloe longs for her family’s acceptance, but their continual refusal to consider her needs leads to periodic outbursts of frustrated rage—which are then cited as evidence of her instability. Throughout the frustrating cycle of absurdity, Chloe’s unflinchingly raw voice avoids didacticism as she grapples with privacy in the modern age. Discussions of Orwell’s 1984 in her civics class also provide surprisingly natural opportunities for readers to consider how their own media-consumption habits may be contributing to a culture that seems disinclined to value others’ right to privacy.
Sobering and thought-provoking ideas wrapped in an engaging plot. (Fiction. 12 & up)Pub Date: Feb. 4, 2014
ISBN: 978-0-8050-9794-8
Page Count: 416
Publisher: Henry Holt
Review Posted Online: Nov. 26, 2013
Kirkus Reviews Issue: Dec. 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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