Hot, humorous, and well paced.
A steamy romance set in the 16-century Scottish Highlands.
The third book in McCollum’s Sons of Sinclair series stars a chieftain under Scotland’s King James. Both brawny and brainy, Gideon Sinclair is one of four “Horsemen of the Apocalypse”; i.e., Gideon and his brothers were taught by their father to raise hell against enemies of the throne. Gideon, “Horseman of Justice,” must impose law and order. On one of his patrols, Gideon spies Cait MacKay dancing alone in the snowy woods, and he is instantly entranced. Gideon saves Cait’s sister, Willa, when she falls into an icy river, but Cait, a widow, resorts to stealing from him to keep her children fed. She learns he is one of the formidable Horsemen of the Apocalypse and goes on a risky adventure to return what she stole. As Gideon grows increasingly passionate about Cait and becomes familiar with everyday people, he also learns to distinguish between judgment and justice. And as Cait begins to fall for Gideon, she heals from her previous abusive marriage. Cait and Gideon work together to organize the Christmas Hogmanay fest and deal with their past traumas, and all seems well, but sinister forces are plotting a dangerous political takeover. McCollum’s romance ably balances a suspenseful game of political chicken, the possibility of civil war, and skyrocketing sexual tension between Gideon and Cait. Along with their crackling chemistry, the couple build a deep respect for each other that involves the shedding of emotional and social barriers; Gideon says to Cait: “We convince ourselves that we’re something we’re not. We bend our world around that impersonation to protect ourselves from an ugly world that requires us to be something else.” Though filled with the genre’s common tropes, the novel also considers identity, gender equality, and the nature of justice. And we see some comic relief in the form of fraternal hijinks among the Sinclair brothers.
Hot, humorous, and well paced.Pub Date: April 26, 2022
ISBN: 978-1-64937-076-1
Page Count: 400
Publisher: Entangled: Amara
Review Posted Online: April 20, 2022
Kirkus Reviews Issue: June 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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