Love is a battlefield in this engaging wartime tale.
A warrior gives up everything for love in McCollum’s latest historical romance.
This second installment of the Sons of Sinclair series picks up with the story of Joshua Sinclair, the brutal Horseman of War who was last seen heading for foreign lands to polish up his mercenary skills. After a bloody battle at South Ronaldsay, Joshua travels to Orkney Isle to train Lord Robert Stuart’s soldiers in defensive maneuvers, though Joshua is far less interested in making war than he used to be. He’s ready to head back to his home when he’s waylaid by fierce fighter Kára. She’s desperate to help her people defend themselves from Lord Robert and his men, who, Joshua learns, hunted, raped, killed, and imprisoned many of them in the past. Joshua quickly falls for Kára, but he’s hesitant to join in her fight, as he’s seen the terrible cost of combat and knows that the Orkney inhabitants don’t stand a chance against the men he helped to train. But Kára’s persistence and her people’s desperate plight convince him to help; he lobbies for a way to avoid an all-out war, but a murder and a kidnapping alter his plans. McCollum’s lengthy novel wastes no time jumping into a romance. Joshua and Kára kick their relationship off with a steamy sex scene early on, and the story’s pace never slows down. Joshua is a very attractive Scottish warrior, complete with bulging muscles and a soft side (he’s great with kids), but he’s also rather complicated. It’s a nice twist to see the Horseman of War seek out alternatives to violence, and it’s always lovely to see a swordswoman who’s fully capable of extracting herself from danger. A clever trick and other unexpected events precede the ending, which ties things up nicely.
Love is a battlefield in this engaging wartime tale.Pub Date: April 27, 2021
ISBN: 978-1-68281-570-0
Page Count: 400
Publisher: Entangled: Amara
Review Posted Online: April 8, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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