Punny but incoherent.

READ REVIEW

THE MOOSIC MAKERS

Animal musicians learn to play together.

Farmer Joni loves to sit on the porch of her farmhouse, listening to the cows make music in the barn. Celery’s voice is “round and mellow like an old apple barrel.” Nutmeg provides accompaniment on the mandolin. Most of the other animals enjoy it, but donkey Billy and sheep Esme grouse a bit about being excluded from the music-making. When a storm destroys the roof of the barn, the animals decide to help fund the repairs. Nutmeg and Celery busk and busk, with Esme and Billy assisting with collection. Who should arrive but slick promoter George Smarm, in a striped purple suit? He promises fame and fortune if they just change from “MOO-grass” to “DisCOW” music. The DisCOW duo is a big hit, arriving by “liMOOsine” to play “megadromes.” But they never see a paycheck and, feeling homesick, hitchhike back to the farm. Joni still lacks the money to fix the roof, so Nutmeg and Celery propose a fundraiser, which Billy insists on turning into a “MOO-BAA-HEHAW-sic Festival!” Pindar’s lesson of inclusion is well taken, and her puns should tickle readers. The diversion into Celery and Nutmeg’s exploitation at the hands of the greedy promoter, however, seems to serve mostly to pad pages and add more opportunities for puns. It has no bearing on the story’s overall theme, which is rushed in its conclusion. Joni and Smarm are both White.

Punny but incoherent. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-1-84886-649-2

Page Count: 32

Publisher: Maverick Publishing

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

LOVE MONSTER

Monster lives in Cutesville, where he feels his googly eyes make him unlovable, especially compared to all the “cute, fluffy” kittens, puppies and bunnies. He goes off to find someone who will appreciate him just the way he is…with funny and heartwarming results.

A red, scraggly, pointy-eared, arm-dragging monster with a pronounced underbite clutches his monster doll to one side of his chest, exposing a purplish blue heart on the other. His oversized eyes express his loneliness. Bright could not have created a more sympathetic and adorable character. But she further impresses with the telling of this poor chap’s journey. Since Monster is not the “moping-around sort,” he strikes out on his own to find someone who will love him. “He look[s] high” from on top of a hill, and “he look[s] low” at the bottom of the same hill. The page turn reveals a rolling (and labeled) tumbleweed on a flat stretch. Here “he look[s] middle-ish.” Careful pacing combines with dramatic design and the deadpan text to make this sad search a very funny one. When it gets dark and scary, he decides to head back home. A bus’s headlights shine on his bent figure. All seems hopeless—until the next page surprises, with a smiling, orange monster with long eyelashes and a pink heart on her chest depicted at the wheel. And “in the blink of a googly eye / everything change[s].”

This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

Pub Date: Dec. 31, 2013

ISBN: 978-0-374-34646-1

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 18, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

THE MOST MAGNIFICENT THING

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 26, 2014

Kirkus Reviews Issue: March 15, 2014

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