Slomski is a writer’s writer, with a gift for lyrical prose, clever plotting and significant detail that reveals depth of...

THE LOVERS SET DOWN THEIR SPOONS

Fifteen works of short fiction ranging in length from the vignette to the (almost) novella, in style from the realistic to the surreal, and in tone from serious to lighthearted.

In the eponymous opening story, two lovers have dinner at a restaurant—though counting their shadow selves who are having an affair, there are four at the table. The story is presented as a screenplay, and the dialogue gets increasingly intricate as the lovers have their tête-à- tête. In the exquisitely tender “The Chair,” a married couple buys an armchair from an old man at a flea market, and when he delivers it, they discover through his emotional reaction how much the chair means to him. “The Allure of All This” introduces us to Anderson, who works in the men’s section of a department store. In a plot worthy of The Twilight Zone, he moves from an emotionally unsatisfying relationship with his wife, Ermalinda, and falls in love with Mia—a bit unusual because she’s a department store mannequin. In Anderson’s imaginative life, they have far deeper conversations than he has ever had with Ermalinda. “Neighbors” is the longest story in the collection and one of the most fully developed. Lana and Finn have recently moved to Louisville and are trying to be friendly with their neighbors, an older couple named Olivia and Burton. Sexual tensions and jealousies develop—or are they merely in Finn’s mind?

Slomski is a writer’s writer, with a gift for lyrical prose, clever plotting and significant detail that reveals depth of character.

Pub Date: Oct. 1, 2014

ISBN: 978-1-60938-282-7

Page Count: 146

Publisher: Univ. of Iowa

Review Posted Online: July 30, 2014

Kirkus Reviews Issue: Aug. 15, 2014

Did you like this book?

No Comments Yet

THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

Did you like this book?

No Comments Yet

Old-fashioned short fiction: honest, probing and moving.

A PERMANENT MEMBER OF THE FAMILY

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 1, 2013

Kirkus Reviews Issue: Sept. 15, 2013

Did you like this book?

No Comments Yet
more