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LUSCIOUS LEMON

A second coming-of-ager from Swain (Eliot’s Banana , 2003) but, for obvious reasons, this heartfelt tale isn’t exactly...

Can a young Manhattan chef find happiness?

Ellie Manelli, known as Lemon, pretty much has it all. After several years, boyfriend Eddie still adores her. Bonus: he still likes to indulge in hot rooftop sex and cold champagne. Her new East Village restaurant, also named Lemon, is doing well, and she loves her work, reveling in the hectic pace of a professional kitchen and the long hours she puts in, ably assisted by an ethnically diverse staff. Wonder of wonders, though, she suddenly became the new It Girl of New York restaurants and still hasn’t quite recovered. Her Italian-American relatives thought cooking would be just a phase—they expected her to marry some hairy goomba from Brooklyn and have 27 kids. But no. Eddie is as preppy as they come, the Princeton-educated son of a textile magnate from Georgia. He has popped the question, though—several times. Unsure of herself, despite her successes, Lemon hasn’t said yes. Perhaps being orphaned at an early age has made her wary: her parents, described as beatniks (even though she’s far too young for that to be true), dumped her on willing relatives, ran off together, and were killed in an accident. So, okay, Lemon has commitment issues but nothing too serious. Uh, remember that careless rooftop sex? Lemon is pregnant. And suddenly nauseous. And sleepy. And feeling miserable and happy at the same time. At least Eddie is thrilled. But will his straitlaced family be? As soon as the Italian aunts know, they won’t leave Lemon alone for a minute. Should she marry Eddie? Does he still want to marry her? All this fretting is interspersed with inner monologues on the subject of pregnancy, addressed to the fetus (she’s sure it’s a girl). Unfortunately, Lemon suffers a miscarriage, described in bloody detail, that sends her into an emotional tailspin.

A second coming-of-ager from Swain (Eliot’s Banana , 2003) but, for obvious reasons, this heartfelt tale isn’t exactly entertaining.

Pub Date: Oct. 1, 2004

ISBN: 0-7434-6488-5

Page Count: 320

Publisher: Downtown Press/Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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