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THE DISTANT DEAD

Electrifying, ambitious, and crushingly beautiful.

Lonely, broken people in a dead-end town are forced to confront the fragility of life and relationships in the aftermath of a horrific death.

A young boy, Sal Prentiss, discovers a burned corpse in the lonely hills of a small Nevada town, soon revealed to be that of Adam Merkel, the middle school math teacher, a new arrival who came—and died—carrying a lot of secrets. Though few mourn his passing, nearly everyone in town seems to be struggling with their own frustrations and losses, from Nora Wheaton, the history teacher who tends her ailing father, unable to confront him about his role in her brother’s death years ago, to Sal, who lost his mother to a drug overdose the year before. As each one makes choices that will direct the courses of their own lives and those of so many others, they also work to find out more about Adam’s death and what events had brought him to their town: the intersections of the lives that led to his death. Playing out against the barren landscape of a struggling town, all this drama is worthy of a Greek tragedy, and there is also something tragic in the scope and depth of the characters' hubris and personal struggles. Young clearly has a gift for crafting complex, flawed protagonists and creating both empathy and understanding for them, but it takes a true master to also build empathy for minor characters, who would be so easy to leave in two dimensions. When a middle school bully, in teasing a teacher, becomes the target of that teacher’s anger, the way Young reveals the root of the boy's cruelty, and vulnerability, suddenly reverses everything we thought we knew. And this small example, magnified, represents the brilliance of the novel: It is at heart about the timelessness of human curiosity, the eternal possibility of forgiveness, and the everyday miracle of survival.

Electrifying, ambitious, and crushingly beautiful.

Pub Date: June 9, 2020

ISBN: 978-0-06-269081-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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