A powerful look at what it means to be a member of a community that, though large, remains marginalized.
A pensive examination of the many ways there are to be Latinx in America.
Novelist and Pulitzer Prize–winning journalist Tobar, the son of Guatemalan immigrants and a native of Los Angeles, begins on a paradoxical note: Whereas terms such as Latino, Latinx, and Hispanic are expressions “that are said to describe our ‘ethnicity’ or ‘common cultural background,’ ” the White majority reduces them to refer to “race,” a parsing that, in practice, always imposes an inferior designation. “Throughout this country’s history,” writes the author, “the lives of people today known as ‘Latino’ have been shaped by the American tradition of creating legal categories applied to the ‘nonwhite.’ ” A fan of pop culture, Tobar likens such terms to words like Vulcan or Wookie, explaining, with a nod to Junot Díaz, that history provides context to movies such as Dune (slavery), X-Men (racist classification), and Star Wars (colonialism). It’s a matter of some irony, he adds, that his hometown is both the most Latinx city in the U.S. and the center of an entertainment industry “that makes billions of dollars telling empire fantasy stories.” To broaden his perspective, Tobar travels widely across the country, finding perhaps unlikely centers of Latinidad in little towns in Pennsylvania and suburbs in Georgia as well as unmistakably Cubano Florida. Even if these enclaves are culturally quite distinct at home, they are reduced to the same non-Whiteness in the U.S., some suspect and some praised as “model” immigrants yet all sharing an “emotional commonality.” On completing his travels, he returned to LA to find that it resembled less a monolithic Latinx capital than “the encampments of dozens of different tribes.” While they share some cultural features, they have all been victimized by capitalism and racism. Tobar’s travels and meditations are altogether provocative and thoroughly well thought through, his account sharply observed and elegantly written.
A powerful look at what it means to be a member of a community that, though large, remains marginalized.Pub Date: May 9, 2023
ISBN: 9780374609900
Page Count: 256
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: March 2, 2023
Kirkus Reviews Issue: April 1, 2023
PERSPECTIVES
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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