A powerful look at what it means to be a member of a community that, though large, remains marginalized.
A pensive examination of the many ways there are to be Latinx in America.
Novelist and Pulitzer Prize–winning journalist Tobar, the son of Guatemalan immigrants and a native of Los Angeles, begins on a paradoxical note: Whereas terms such as Latino, Latinx, and Hispanic are expressions “that are said to describe our ‘ethnicity’ or ‘common cultural background,’ ” the White majority reduces them to refer to “race,” a parsing that, in practice, always imposes an inferior designation. “Throughout this country’s history,” writes the author, “the lives of people today known as ‘Latino’ have been shaped by the American tradition of creating legal categories applied to the ‘nonwhite.’ ” A fan of pop culture, Tobar likens such terms to words like Vulcan or Wookie, explaining, with a nod to Junot Díaz, that history provides context to movies such as Dune (slavery), X-Men (racist classification), and Star Wars (colonialism). It’s a matter of some irony, he adds, that his hometown is both the most Latinx city in the U.S. and the center of an entertainment industry “that makes billions of dollars telling empire fantasy stories.” To broaden his perspective, Tobar travels widely across the country, finding perhaps unlikely centers of Latinidad in little towns in Pennsylvania and suburbs in Georgia as well as unmistakably Cubano Florida. Even if these enclaves are culturally quite distinct at home, they are reduced to the same non-Whiteness in the U.S., some suspect and some praised as “model” immigrants yet all sharing an “emotional commonality.” On completing his travels, he returned to LA to find that it resembled less a monolithic Latinx capital than “the encampments of dozens of different tribes.” While they share some cultural features, they have all been victimized by capitalism and racism. Tobar’s travels and meditations are altogether provocative and thoroughly well thought through, his account sharply observed and elegantly written.
A powerful look at what it means to be a member of a community that, though large, remains marginalized.Pub Date: May 9, 2023
ISBN: 9780374609900
Page Count: 256
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: March 2, 2023
Kirkus Reviews Issue: April 1, 2023
PERSPECTIVES
PERSPECTIVES
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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