A unique, engaging story of star-crossed love, history and mythical magic.
Drayton (Passages II: Brown Doves, 2012, etc.) delivers an epic tale of an ancient civilization confronting the present.
In 1999, archaeologists Allan Cline and Christopher Ward and their team traverse East Africa’s Great Rift Valley. Stunned by their discoveries of ancient artifacts dating back 50,000 years, the team continues its search until, after seeking protection from a snowstorm, its members find themselves among the Ashai tribe. The Ashais are an advanced people whose life span and medicinal knowledge exceed those of the explorers. The team is particularly intrigued to learn that the Ashais’ lives center on a Kriziantu, a crystal bird whose eggs protect their people from the deadliest diseases. The bird and other Ashai magical items interest the archaeologists, who hope to use them to cure sick people around the world. The Ashais sense danger and strike back against the explorers, protecting their healing bird and their unique knowledge of history and humanity’s origins. Centuries of battles and discoveries come to a head as these two civilizations clash—a battle that escalates when one of the explorers falls for the Ashai king’s daughter. The explorers are torn between their respect and reverence for the land they’ve discovered and the potential cures they could bring back to the world, transforming this fast-paced adventure story into a much deeper and more complicated tale. Drayton’s lyrical prose contains poetic turns of phrase such as, “The music of whistling trees and the low pitched call of the crystal birds soared across the Blue Mountains, which were splashed with the light of the midnight sun.”
A unique, engaging story of star-crossed love, history and mythical magic.Pub Date: Dec. 3, 2012
ISBN: 978-1475225075
Page Count: 386
Publisher: CreateSpace
Review Posted Online: Dec. 24, 2012
Kirkus Reviews Issue: Feb. 15, 2013
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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