Drayton (Passages II: Brown Doves, 2012, etc.) delivers an epic tale of an ancient civilization confronting the present.
In 1999, archaeologists Allan Cline and Christopher Ward and their team traverse East Africa’s Great Rift Valley. Stunned by their discoveries of ancient artifacts dating back 50,000 years, the team continues its search until, after seeking protection from a snowstorm, its members find themselves among the Ashai tribe. The Ashais are an advanced people whose life span and medicinal knowledge exceed those of the explorers. The team is particularly intrigued to learn that the Ashais’ lives center on a Kriziantu, a crystal bird whose eggs protect their people from the deadliest diseases. The bird and other Ashai magical items interest the archaeologists, who hope to use them to cure sick people around the world. The Ashais sense danger and strike back against the explorers, protecting their healing bird and their unique knowledge of history and humanity’s origins. Centuries of battles and discoveries come to a head as these two civilizations clash—a battle that escalates when one of the explorers falls for the Ashai king’s daughter. The explorers are torn between their respect and reverence for the land they’ve discovered and the potential cures they could bring back to the world, transforming this fast-paced adventure story into a much deeper and more complicated tale. Drayton’s lyrical prose contains poetic turns of phrase such as, “The music of whistling trees and the low pitched call of the crystal birds soared across the Blue Mountains, which were splashed with the light of the midnight sun.”
A unique, engaging story of star-crossed love, history and mythical magic.Pub Date: Dec. 3, 2012
ISBN: 978-1475225075
Page Count: 386
Publisher: CreateSpace
Review Posted Online: Dec. 24, 2012
Kirkus Reviews Issue: Feb. 15, 2013
Review Program: Kirkus Indie
Categories: LITERARY FICTION
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BOOK REVIEW
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
A quick, biting critique of the publishing industry.
13
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What happens when a midlist author steals a manuscript and publishes it as her own?
June Hayward and Athena Liu went to Yale together, moved to D.C. after graduation, and are both writers, but the similarities end there. While June has had little success since publication and is struggling to write her second novel, Athena has become a darling of the publishing industry, much to June’s frustration. When Athena suddenly dies, June, almost accidentally, walks off with her latest manuscript, a novel about the World War I Chinese Labour Corps. June edits the novel and passes it off as her own, and no one seems the wiser, but once the novel becomes a smash success, cracks begin to form. When June faces social media accusations and staggering writer’s block, she can’t shake the feeling that someone knows the truth about what she’s done. This satirical take on racism and success in the publishing industry at times veers into the realm of the unbelievable, but, on the whole, witnessing June’s constant casual racism and flimsy justifications for her actions is somehow cathartic. Yes, publishing is like this; finally someone has written it out. At times, the novel feels so much like a social media feed that it’s impossible to stop reading—what new drama is waiting to unfold. and who will win out in the end? An incredibly meta novel, with commentary on everything from trade reviews to Twitter, the ultimate message is clear from the start, which can lead to a lack of nuance. Kuang, however, does manage to leave some questions unanswered: fodder, perhaps, for a new tweetstorm.
A quick, biting critique of the publishing industry.Pub Date: May 16, 2023
ISBN: 9780063250833
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
Categories: LITERARY FICTION | GENERAL FICTION
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