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THE GREATCOAT

The slight tale crumbles under too much scrutiny but beautifully expresses emotional longing in ways both natural and...

After a grimly realistic portrayal of postwar East Berlin in The Betrayal (2010), Dunmore offers up an eerie story about postwar England that may, or may not, be a ghost story.

In 1952, newlyweds Isabel and Philip move to East Riding where Philip has taken his first job as a doctor. While Philip plunges into his work, Isabel is lonely and adrift in her own life. Mrs. Atkinson, the dour elderly landlady, is always pacing the floor above, and Isabel’s downstairs apartment is dank and cold; looking in a closet for an extra blanket, she comes across a military greatcoat and wraps herself in it for warmth. Another night not long afterward, she wakes to a tapping at the window and finds a young pilot staring in and calling her nickname, Issy. The pilot begins visiting regularly. Whether he’s a ghost or figment of her imagination remains unclear. Together they visit a nearby World War II airfield; she sees abandoned disrepair, but to him, the base is in full wartime operation. They make love. Afterward, she stands in front of her house with him unseen by the local woman. She inexplicably knows his name is Alec and that he is waiting to fly a bombing mission to Germany that has been delayed. She finds herself increasingly filled with another woman’s memories—a farmhouse, a baby, Alec. Meanwhile, she and the touchingly drawn Philip repeatedly fumble their attempts at love and intimacy. When Isabel witnesses Alec and Mrs. Atkinson share an exchange of terrible longing, she sees why Alec actually has appeared. 

The slight tale crumbles under too much scrutiny but beautifully expresses emotional longing in ways both natural and supernatural.

Pub Date: Oct. 5, 2012

ISBN: 978-0-8021-2060-1

Page Count: 208

Publisher: Atlantic Monthly

Review Posted Online: Sept. 15, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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SWORD OF KINGS

This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.

Plenty of gore from days of yore fills the 12th entry in Cornwell’s The Last Kingdom series (War of the Wolf, 2018, etc.).

The pagan warlord Uhtred of Bebbanburg narrates his 10th-century adventures, during which he hacks people apart so that kingdoms might be stitched together. He is known to some as the Godless or the Wicked, a reputation he enjoys. Edward, King of Wessex, Mercia, and East Anglia is gravely ill, and Uhtred pledges an oath to likely heir Æthelstan to kill two rivals, Æthelhelm and “his rotten nephew,” Ælfweard, when the king dies. Uhtred’s wife, Eadith, wants him to break that oath, but he cannot live with the dishonor of being an oathbreaker. The tale seems to begin in the middle, as though the reader had just turned the last page in the 11th book—and yet it stands alone quite well. Uhtred travels the coast and the river Temes in the good ship Spearhafoc, powered by 40 rowers struggling against tides and currents. He and his men fight furious battles, and he lustily impales foes with his favorite sword, Serpent-Breath. “I don’t kill the helpless,” though, which is one of his few limits. So, early in the story, when a man calling himself “God’s chosen one” declares “We were sent to kill you,” readers may chuckle and say yeah, right. But Uhtred faces true challenges such as Waormund, “lord Æthelhelm’s beast.” Immense bloodletting aside, Cornwell paints vivid images of the filth in the Temes and in cities like Lundene. This is mainly manly fare, of course. Few women are active characters. The queen needs rescuing, and “when queens call for help, warriors go to war.” The action is believable if often gruesome and loathsome, and it never lets up for long.

This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.

Pub Date: Nov. 26, 2019

ISBN: 978-0-06-256321-7

Page Count: 336

Publisher: HarperCollins

Review Posted Online: Sept. 1, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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TONY'S WIFE

A heartfelt tale of love too stubborn to surrender to human frailties.

When Chi Chi Donatelli gave famous crooner Saverio Armandonada a manicure on a 1930s New Jersey beach, little did she know that the swanky singer would change her life.

After his childhood sweetheart married another man, Saverio left the security of his job on the factory line in Detroit, earning his father’s disapproval but opening wide the door to success as a big-band singer. Along his way to stardom, Saverio changed his name to Tony Arma and discovered a talent for romancing—but never marrying—the ladies. But once he meets Chi Chi, his bachelor days are numbered. From a large, boisterous Italian family, Chi Chi is eager to have a life like Tony’s, with the freedom to sing and travel the country. She wants no part of marriage with its shackles. Soon Chi Chi and Tony are touring together, eventually developing a profitable shtick, with Chi Chi writing bestselling songs and Tony serenading them to dreamy audiences. It’s only a matter of time before Tony proposes. After all, unlike his other girls, Chi Chi offers Tony not only beauty and charm, but also the stability of a home. The lovers’ work in the entertainment industry gives way to a marriage blessed with babies yet held apart by war. Once reunited, Chi Chi’s independence and Tony’s philandering further fracture their marriage. But as Tony’s path wends from woman to woman, Chi Chi forges a new life on her own terms. A mistress of the sweeping family saga, bestselling author Trigiani (Kiss Carlo, 2017, etc.) sets Chi Chi and Tony’s lifelong love affair against the grand stage of World War II through the postwar boom years and the women’s liberation movement, tracing a society catching up with Chi Chi’s determination to control her own financial and personal freedom.

A heartfelt tale of love too stubborn to surrender to human frailties.

Pub Date: Nov. 20, 2018

ISBN: 978-0-06-231925-8

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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