An easy-to-read, heartwarming lesson in trust-building.
A homeless dog transforms a neighborhood.
When a skinny, filthy dog suddenly appears, next-door neighbors Sam and Katie immediately notice. They watch her get shooed out of the Wilson sisters’ flower garden. They see the Tracy twins (the biggest, meanest kids in their grade) throwing rocks and chasing her on their bikes. As Sam and Katie search everywhere for the dog, the Tracy twins are also looking for her. Discovering the dog asleep under a table Sam’s father just painted blue, Sam and Katie are inexplicably spurred to paint a blue daisy on her back, prompting neighbors to take notice and call her Blue Daisy. Sam and Katie feel Blue Daisy should be their dog since they’re “the ones who like her best,” but they also feel guilty about painting her. They don’t understand why Blue Daisy prefers the Tracy twins, but those mean kids have somehow earned her trust. In alternating voices, Sam and Katie tell the story of how Blue Daisy finds a home and how they find new friends, with Sam speaking in verse, Katie in prose in a different typeset; speech in both portions is indicated by italics rather than quotation marks. Black-and-white illustrations capture key events and depict most core characters with pale skin; a recipe section includes a couple of Blue Daisy’s favorite treats.
An easy-to-read, heartwarming lesson in trust-building. (recipes; author’s note) (Fiction. 7-10)Pub Date: March 17, 2020
ISBN: 978-0-8234-4414-4
Page Count: 96
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Another winner from Mills, equally well suited to reading aloud and independent reading.
When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.
As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?
Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-374-30223-8
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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