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UNMASKED

From the Blood Bond Saga series , Vol. 4

A first-rate outing in a consistently enthralling series.

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The fourth entry in Hardt’s (Undaunted, 2018, etc.) erotic supernatural saga finds a vampire struggling to control the darkness within himself as he and his human lover search for missing friends and family.

Lately, Dante Gabriel has felt a dark energy pursuing him, but he’s come to realize that he is that darkness. However, the ever present ghost of the vampire’s father, Julian, convinces him that he can learn to control his inner evil. Dante believes that his greatest asset in this task is Erin Hamilton, the woman he loves and with whom he shares a blood bond—one so strong that he may not be able to live without her, and vice versa. Dante regularly consumes Erin’s blood for his sustenance and their sexual gratification. Now, he begins experimenting with BDSM in the bedroom—a riding crop is involved—as a way to embrace his dark energy without allowing it to take over. Meanwhile, some of couple’s loved ones have gone missing, including Erin’s best friend, Lucy; Dante’s pregnant sister, Emilia; and his uncle (and Julian’s twin), Brae. Dante’s cousin, River, and Erin’s brother, Jay, who are partner detectives, aid in the couple’s search, but they believe that answers may be found in the seemingly untranslatable Vampyre Texts. Dante’s paternal grandfather, Bill, knows the book’s secrets, but he’s inexplicably mum, and finding another copy is an exhausting task. It’s soon apparent that the being who’s responsible for people going missing is also leading rogue vampires who’ve targeted Erin. That leader is likely the same female vampire who, for a decade, held Dante captive for unclear reasons. Hardt’s latest installment shows some definite character and plot evolution. Over the course of the series, Dante and Erin’s sex has progressively intensified, particularly in Dante’s aggressive demands. But this book has added new suspense, as there’s a strong possibility that he could lose control and hurt Erin (without her permission). Dante also shows frightening signs of an elitist mentality; for the first time, he may see vampires as superior to humans. The mystery proceeds well; the investigating group identifies at least one of the rogue vampires, and Erin finds a prime suspect for the vampire boss. Dante’s former captor has been an enigma since the series’ beginning; this time, the author treats her readers to a big reveal, although this is most certainly not the final series installment. Hardt also centers on her characters’ human traits, eschewing vampire conventions such as immortality and lethal sunlight, but her narrative makes sure to showcase other supernatural elements. Dante, for example, continues to gain new powers, and Julian possesses an ability that could have a serious impact on the world at large. As in preceding books, the plot maintains a brisk, steady momentum courtesy of Hardt’s condensed descriptions and rapid-fire dialogue. At one point, for instance, Dante equates Erin’s “irresistible” scent with a bevy of images and senses: “Dark coffee, dark chocolate, the richest, darkest blackberry, the richest, darkest Merlot.”

A first-rate outing in a consistently enthralling series.

Pub Date: Jan. 29, 2019

ISBN: 978-1-64263-085-5

Page Count: 382

Publisher: Waterhouse Press

Review Posted Online: Jan. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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  • New York Times Bestseller

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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