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ARMADILLO TATTLETALE

Reminiscent of Aesop’s Fables, Ketteman (Shoeshine Whittaker, 1999, etc.) tells a mirthful moral tale wherein a busybody armadillo learns the consequences of eavesdropping and gossiping. Armadillo has ears as long as a jackrabbit’s, which allow him to hear everything he shouldn’t and make it very difficult for him to get around. Those pesky ears are always getting under foot. Moreover, all the other animals, stung by his misspeak, have excluded him from the watering hole. Despite his constant thirst and “the what-for and the how-come and the why-not” scolding he’s been treated to, Armadillo persists in his disagreeable behavior. He creeps about, bending an ear to other’s conversations and then twisting what he’s heard. He really gets himself in a fix when he crosses Alligator. One day he overhears Heron and Alligator discussing the way Toad’s skin has improved, perhaps because of a changed diet. Armadillo passes this along to Toad, only his version has Alligator calling Toad’s skin “plug-ugly” and suggesting she go on a diet. When Alligator discovers this she gives Armadillo what-for but she also adds gnashing teeth and some precise nipping here and there until all Armadillo has left are diminutive ears. From then on, Armadillo cannot hear quite so keenly, but his ears never trip him up again. Graves’s waggish illustrations, an ideal match for the text, are painted in striking deep hues and make for fabulous eye-candy. Rarely is learning a lesson this much fun. (Picture book. 5-9)

Pub Date: Sept. 1, 2000

ISBN: 0-590-99723-8

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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