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MAJOR PETTIGREW’S LAST STAND

Unexpectedly entertaining, with a stiff-upper-lip hero who transcends stereotype, this good-hearted debut doesn’t shy away...

Set-in-his-ways retired British officer tentatively courts charming local widow of Pakistani descent.

Shortly after being informed that his younger brother Bertie has suddenly passed away from a coronary, Maj. Ernest Pettigrew answers his door to find Mrs. Ali, proprietress of his village food shop. She’s on an errand, but when she steps in to help the somewhat older man during a vulnerable moment, something registers; then they bond over a shared love of Kipling and the loss of their beloved spouses. Their friendship grows slowly, with the two well aware of their very different lives. Though born in England, Mrs. Ali is a member of the Pakistani immigrant community and is being pressured by her surly, religious nephew Abdul Wahid to sign over her business to him. The major belongs to a non-integrated golf club in their village and is girding himself for a messy battle with his sister-in-law Marjorie over a valuable hunting rifle that should rightfully have gone to him after Bertie’s death. He also must contend with his grown son Roger, a callow, materialistic Londoner who appears in the village with a leggy American girlfriend and plans to purchase a weekend cottage for reasons that seem more complex than mere family unity. Add to that a single mum with a small boy who bears a striking resemblance to Abdul Wahid, and you have enough distractions to keep the mature sweethearts from taking it to the next level. But the major rallies and asks Mrs. Ali to accompany him to the annual club dance, which happens to have an ill-advised “Indian” theme. The event begins magically but ends disastrously, with the besotted major fearing he has lost his love forever. His only chance at winning her back is to commit to a bold sacrifice without any guarantees it will actually work.

Unexpectedly entertaining, with a stiff-upper-lip hero who transcends stereotype, this good-hearted debut doesn’t shy away from modern cultural and religious issues, even though they ultimately prove immaterial.

Pub Date: March 9, 2010

ISBN: 978-1-4000-6893-7

Page Count: 368

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2009

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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