A patchy, occasionally predictable collection, but Simpson and her material are, at their best, a perfect match.
Relationships, death and motoring connect 11 pithy stories by a celebrated British doyenne of the form.
The first, “Up at a Villa,” sets the tone of anxious middle-class discontent, when a struggling wife with a new baby and an unsympathetic husband are glimpsed by interlopers in the garden of an idyllic French summer retreat. Elsewhere, there’s a powerful undercurrent of mortality: a sudden heart attack; cancers of lung, breast, brain; even—with characteristic black humor—someone literally falling under a bus. In both “The Year’s Midnight” and “The Green Room,” Christmas equates to reminders of depression, disease and death, as well as perpetual family discord. “The Door” is narrated by a woman whose fears concerning a recent burglary mask deeper emotions involving the recent death of her lover, whose wife doesn’t know she existed. Everywhere, unions are exposed to the author’s sharply skeptical scrutiny: “structural flaws” are surveyed by an architect in “The Tree”; “the marital Black Dog” is contemplated in one of the best tales, “Early One Morning.” Middle-England’s preoccupations, like Central European au pairs and the health service, color the background, while, behind the wheel, men (often boorish) and women (often unhappy) crawl along in first gear or speed out of control, as in the title story. In Simpson’s world, a radical thought is imagining a man, a woman and their children “living happily together, justice and love prevailing, self-respect on both sides.”
A patchy, occasionally predictable collection, but Simpson and her material are, at their best, a perfect match.Pub Date: May 21, 2007
ISBN: 0-307-26522-6
Page Count: 192
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2007
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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