Relationships, death and motoring connect 11 pithy stories by a celebrated British doyenne of the form.
The first, “Up at a Villa,” sets the tone of anxious middle-class discontent, when a struggling wife with a new baby and an unsympathetic husband are glimpsed by interlopers in the garden of an idyllic French summer retreat. Elsewhere, there’s a powerful undercurrent of mortality: a sudden heart attack; cancers of lung, breast, brain; even—with characteristic black humor—someone literally falling under a bus. In both “The Year’s Midnight” and “The Green Room,” Christmas equates to reminders of depression, disease and death, as well as perpetual family discord. “The Door” is narrated by a woman whose fears concerning a recent burglary mask deeper emotions involving the recent death of her lover, whose wife doesn’t know she existed. Everywhere, unions are exposed to the author’s sharply skeptical scrutiny: “structural flaws” are surveyed by an architect in “The Tree”; “the marital Black Dog” is contemplated in one of the best tales, “Early One Morning.” Middle-England’s preoccupations, like Central European au pairs and the health service, color the background, while, behind the wheel, men (often boorish) and women (often unhappy) crawl along in first gear or speed out of control, as in the title story. In Simpson’s world, a radical thought is imagining a man, a woman and their children “living happily together, justice and love prevailing, self-respect on both sides.”
A patchy, occasionally predictable collection, but Simpson and her material are, at their best, a perfect match.Pub Date: May 21, 2007
ISBN: 0-307-26522-6
Page Count: 192
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2007
Categories: SHORT STORIES
Did you like this book?
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
Categories: SHORT STORIES
Did you like this book?
SEEN & HEARD
IN THE NEWS
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Sept. 1, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Categories: LITERARY FICTION | SHORT STORIES
Did you like this book?
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
