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POLAR DREAM

THE HEROIC SAGA OF THE FIRST SOLO JOURNEY BY A WOMAN AND HER DOG TO THE POLE

Simple, appealing account of a woman's solo ski trek to the magnetic North Pole. Thayer's goal isn't the imaginary dot at the top of the globe that bedeviled Peary and Cook but, rather, the spot to which all compasses point, some 800 miles north of the Arctic Circle. Nonetheless, this is a formidable journey filled with dangers, including horrendous cold (wind chills of -100 F.), dangerous ice, polar bears, and exhaustion. What's more, no woman has ever done this before, and Thayer is 50 years old when she sets out. After 27 grueling days towing a 160-pound sled, she makes it. One reason is her fortitude; the other is a black husky named Charlie (``there was something about him I thought I could trust and I decided to take him with me,'' she writes in her unadorned manner). Charlie squirrels his way into Thayer's affections for good reason, since many times he saves her from polar bears on the attack. Thayer's encounters with these white-furred killing machines are terrifying. Once, she walks toward what looks like a cute cub only to find that it's a voracious adult; another time, Charlie's heroics involve locking his jaws on a bear's leg. Thayer never minces her fear (``the pit of my stomach was an ice-cube, even my knees were shaking''), and, at one point, she breaks down and sobs, but her eyelids freeze tight: ``There could be no more crying on this expedition.'' She endures storms, fog, starvation, thirst, and a desperate flight over cracking ice. Today, Charlie is snug on the homestead in Washington State, and Thayer is planning an expedition—with her husband—to the North Pole itself. Enough feminine overtones (tears, worry about eyelashes, plus the voice of a middle-aged woman) to make a solid, no-frills adventure for women as well as men. (Eight pages of color photographs—not seen.) (First serial rights to Cosmopolitan)

Pub Date: Jan. 1, 1993

ISBN: 0-671-79386-1

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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