A straightforward, though not reflective, memoir from Thomas (Dateline: White House, 1975) on the best beat in the world—covering every president from JFK to Clinton for United Press International. The daughter of Lebanese parents, Thomas grew up in Detroit. She came to her passion for journalism early, having written for her high school and college papers. After covering such beats as the Department of Justice and Capitol Hill, she was assigned to the White House in 1961. As the dean of the White House press corps and the person who delivers the final —Thank you, Mr. President— at press conferences, Thomas has become an instantly recognized fixture among the gaggle who report on the presidency. She has won the respect—and often incurred the wrath—of presidents, first ladies, and press secretaries for her bulldog tenacity and her unenthralled view of their work. Many of her best stories come when she sticks to her aim to provide an impressionistic view of these remarkable men and women (e.g., a scandal-scarred Richard Nixon startling her by asking for her prayers). But her assessments of presidents are conventional, and she is rarely critical of her profession’s shortcomings. For instance, she acknowledges that she enraged LBJ by revealing daughter Luci’s wedding plans before the latter had the chance to discuss them with her father. She fails to see that such matters have nothing whatever to do with her aim to hold government officials accountable and to explain their actions and policies. Moreover, while proud of her firsts as a female reporter (e.g., the first woman recipient of the National Press Club’s Fourth Estate Award), she reveals little about what sustained her against male chauvinists of the media. A crisply written account of jousting between presidents and press, but without much insight into these two institutions that Thomas so clearly reveres. (16 pages b&w photos)
Pub Date: May 7, 1999
ISBN: 0-684-84911-9
Page Count: 416
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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