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FRONT ROW AT THE WHITE HOUSE

MY LIFE AND TIMES

A straightforward, though not reflective, memoir from Thomas (Dateline: White House, 1975) on the best beat in the world—covering every president from JFK to Clinton for United Press International. The daughter of Lebanese parents, Thomas grew up in Detroit. She came to her passion for journalism early, having written for her high school and college papers. After covering such beats as the Department of Justice and Capitol Hill, she was assigned to the White House in 1961. As the dean of the White House press corps and the person who delivers the final —Thank you, Mr. President— at press conferences, Thomas has become an instantly recognized fixture among the gaggle who report on the presidency. She has won the respect—and often incurred the wrath—of presidents, first ladies, and press secretaries for her bulldog tenacity and her unenthralled view of their work. Many of her best stories come when she sticks to her aim to provide an impressionistic view of these remarkable men and women (e.g., a scandal-scarred Richard Nixon startling her by asking for her prayers). But her assessments of presidents are conventional, and she is rarely critical of her profession’s shortcomings. For instance, she acknowledges that she enraged LBJ by revealing daughter Luci’s wedding plans before the latter had the chance to discuss them with her father. She fails to see that such matters have nothing whatever to do with her aim to hold government officials accountable and to explain their actions and policies. Moreover, while proud of her firsts as a female reporter (e.g., the first woman recipient of the National Press Club’s Fourth Estate Award), she reveals little about what sustained her against male chauvinists of the media. A crisply written account of jousting between presidents and press, but without much insight into these two institutions that Thomas so clearly reveres. (16 pages b&w photos)

Pub Date: May 7, 1999

ISBN: 0-684-84911-9

Page Count: 416

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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