A book that focuses appealingly on the visceral complexities of our private lives.



Anthology of dramatic first-person testimonials collected by a driven author for whom a personal pastime became a public obsession.

This book reflects the website CraigslistConfessional.com, which Bala developed due to dissatisfaction with her demanding career as an attorney and lobbyist. She describes her work as “a project about hearing and seeing what others don’t—about pulling back the curtain that separates our secretive inner lives from our perfectly curated outer lives. My ‘job’ is to listen when no one else will.” At first, she was only seeking mutual catharsis; eventually, “I amended my original Craigslist ad to include a plan: I wanted to write these stories down and hopefully, some day, publish them.” She was so determined to pursue this that she curtailed her career to do so. The resulting volume is organized broadly, along the themes of “Love,” “Regret,” “Loss,” “Identity,” and “Family,” with 40 subjects across a spectrum of gender, social class, and age. Bala deftly captures these diverse voices—some gloomy, others hopeful—resulting in lively, empathetic biographical tableaux. She stays attuned to her anonymous subjects’ lived experiences, following arcs that sometimes lead from deviance or despair to redemption. One former prisoner notes after 15 years’ imprisonment, “the outside is cruel. It doesn’t care if you did the crime or you deserved your punishment, or you served your time.” Many stories concern flight from addiction or abuse, such as that of a young woman still ashamed of her years as an escort during college: “I was constantly trying to convince myself that it wasn’t so bad.” Episodes of loss include an older man reeling from the death of an alcoholic wife (“Up until the very end, I thought I could cure her”) and mothers haunted by the sudden deaths of children. Though some tales are maudlin or follow predictable patterns, readers should respond to the redemptive twist or optimism that often appears in the stories she has collected.

A book that focuses appealingly on the visceral complexities of our private lives.

Pub Date: July 7, 2020

ISBN: 978-1-982114-96-1

Page Count: 256

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: April 20, 2020

Kirkus Reviews Issue: May 15, 2020

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.



The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.


Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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