A book that focuses appealingly on the visceral complexities of our private lives.
Anthology of dramatic first-person testimonials collected by a driven author for whom a personal pastime became a public obsession.
This book reflects the website CraigslistConfessional.com, which Bala developed due to dissatisfaction with her demanding career as an attorney and lobbyist. She describes her work as “a project about hearing and seeing what others don’t—about pulling back the curtain that separates our secretive inner lives from our perfectly curated outer lives. My ‘job’ is to listen when no one else will.” At first, she was only seeking mutual catharsis; eventually, “I amended my original Craigslist ad to include a plan: I wanted to write these stories down and hopefully, some day, publish them.” She was so determined to pursue this that she curtailed her career to do so. The resulting volume is organized broadly, along the themes of “Love,” “Regret,” “Loss,” “Identity,” and “Family,” with 40 subjects across a spectrum of gender, social class, and age. Bala deftly captures these diverse voices—some gloomy, others hopeful—resulting in lively, empathetic biographical tableaux. She stays attuned to her anonymous subjects’ lived experiences, following arcs that sometimes lead from deviance or despair to redemption. One former prisoner notes after 15 years’ imprisonment, “the outside is cruel. It doesn’t care if you did the crime or you deserved your punishment, or you served your time.” Many stories concern flight from addiction or abuse, such as that of a young woman still ashamed of her years as an escort during college: “I was constantly trying to convince myself that it wasn’t so bad.” Episodes of loss include an older man reeling from the death of an alcoholic wife (“Up until the very end, I thought I could cure her”) and mothers haunted by the sudden deaths of children. Though some tales are maudlin or follow predictable patterns, readers should respond to the redemptive twist or optimism that often appears in the stories she has collected.
A book that focuses appealingly on the visceral complexities of our private lives.Pub Date: July 7, 2020
ISBN: 978-1-982114-96-1
Page Count: 256
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: April 19, 2020
Kirkus Reviews Issue: May 15, 2020
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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