An ensemble comedy with a healthy dose of humorous back-stabbing.
A woman newly released from prison reunites with her family of con artists to find out which one turned her in.
The only life that Jillian Moorewood has ever known is a dishonest one. Growing up in a family of scammers meant that any semblance of a straightforward childhood wouldn't be possible—but now, 39 months after going to prison, she’s back and ready to make her relatives go legit. Granted, when Jillian shows up at home in Newport, Rhode Island, everyone is more than prepared to deny that they'd agreed to the condition she'd imposed before going to jail for all of them: that they'd go legit. This wayward daughter has a few tricks up her sleeve, though, and they all start and end with hitting the rest of the family where it hurts: in their bank accounts. Jillian's relatives are less than thrilled about her ultimatum, but are they irritated enough to attempt to off her themselves? Enter the intimidating and distractingly handsome bodyguard Beck Romer, whom Jillian initially hires to protect her from her diabolical family—but the two discover that their connection is even more intense than that of boss and employee. There's little time for the possibility of love, though, when Jillian is not only trying to find out who was responsible for sending her to prison in the first place, but also dodging retaliation from relatives left and right. Dimon's latest is lighter on romance than most of her books, leaning more significantly into the wacky interpersonal hijinks of its premise. Readers who enjoy dysfunctional family dynamics will find entertainment here. Given the limited scope of the setting, though, notching up the drama between characters and incorporating more mystery would have served the story even better.
An ensemble comedy with a healthy dose of humorous back-stabbing.Pub Date: April 25, 2023
ISBN: 9780063297142
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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