A creative, fun introduction to Islam.
A counting book takes readers on a tour of the Islamic faith.
“One is the morning sun” as a multigenerational Muslim family awakes to the first adhaan (call for prayer). “Two are hands for making dua” as they utter morning invocations. In this fashion, the book moves through the numbers one to 10 as the family members, including two children, carry out various religious practices and traditions. As Khan explains in a closing author’s note, the book steers clear of abstract concepts (like five for the five pillars of Islam) and instead presents “concrete and illustratable terms” to help children “focus on things we can count in the world around us.” Thus, readers see five cups of tea being served at a halaqa (religious study group) with family friends, 10 pairs of shoes that the characters have removed from their feet before salah (formal worship), and three bags of donations being prepared for sadaqa (almsgiving). Exquisite, colorful mixed-media illustrations depict a setting that could be Iran (Amini’s ancestral homeland) and showcase the aesthetics of Islamic art, from textile patterns to architectural ornamentation. This concept book complements the creators’ Golden Domes and Silver Lanterns (2012) and Crescent Moons and Pointed Minarets (2018), about colors and shapes, respectively. Some readers may disagree with certain spelling choices, such as salah instead of sala or salat. A helpful glossary explains key terms and could be critical for non-Muslim readers. Muslims are portrayed diversely in terms of dress, physical appearance, and race.
A creative, fun introduction to Islam. (Picture book. 3-7)Pub Date: March 1, 2022
ISBN: 978-1-4521-8272-8
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
PERSPECTIVES
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
A comical, fresh look at crayons and color
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color . (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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