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UNDER MY HIJAB

Informative and genuine, the book offers much to learn about the settings and situations of hijab.

A window into the world of a Muslim-American girl and the diverse women in her family and community.

A young, unnamed female narrator observes the women in her lives in public situations where they wear hijab and other situations where they do not, clearly showing when Muslim women who wear hijab transition into situations and places where they do not wear hijab. Khan connects in words the personality of each woman in and out of hijab. When Grandma is at work baking, “her hijab is carefully folded, / like the crusts on my favorite pies,” while “at home in her kitchen, / Grandma fixes her hair in a bun.” When she’s in her shared studio, an aunt’s hijab “towers up high, / pinned with a handmade jewel,” but at home the narrator can appreciate how her hair “is streaked pink and purple.” Jaleel’s illustrations pair well with Khan’s text, depicting some of the various ways hijab is styled. Though specific ethnicities are not mentioned, the family is multiracial, with the grandmother and father appearing black, a light-skinned mother and other female relatives, and friends with various skin tones. Women are also varied in ages and body shape. An endnote provides further information about hijab, what the word means, when women choose to wear it, why they choose to wear it, and that some women, like the author of the book, choose not to wear it.

Informative and genuine, the book offers much to learn about the settings and situations of hijab. (Picture book. 4-10)

Pub Date: Jan. 22, 2019

ISBN: 978-1-62014-792-4

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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MIRACLE ON 133RD STREET

A scrumptious treat to be savored and enjoyed, just like a fine holiday dinner.

On Christmas Eve, a large apartment house on 133rd Street in the Bronx becomes the site of a multicultural neighborhood party.

Manzano, a Pura Belpré honoree and Maria on Sesame Street, teams up with Caldecott honoree Priceman for this vibrant story. The setting is the apartment of a Puerto Rican family preparing their special Christmas Eve dinner. Mami is trying to cook a huge roast, but it won’t fit in her small oven. Papi and José decide to take the roast to their friend who owns a pizzeria to see if he can help. On their way, they meet several neighbors and friends of different ages and ethnic groups; all are stressed, lonely, or worried about money. When the father and son return with the cooked roast, its delicious aroma transforms everyone who smells it, wafting them along on swirls of contented delight. They all float up the stairs to the apartment for a Christmas Eve dinner, fitting everyone into just one small apartment—a Christmas miracle. The polished text uses dramatic pacing, dialogue, emotion, and characterization to excellent effect. Priceman’s dazzling illustrations are filled with pulsating energy, glowing colors, and the radiant smiles of the neighbors who find community together. A magical, hopeful vitality permeates the art, reflected in multiple swirling elements wound through the illustrations.

A scrumptious treat to be savored and enjoyed, just like a fine holiday dinner. (Picture book. 4-9)

Pub Date: Sept. 22, 2015

ISBN: 978-0-689-87887-9

Page Count: 48

Publisher: Atheneum

Review Posted Online: Aug. 11, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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MOMMY'S KHIMAR

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked...

From a debut author-and-illustrator team comes a glimpse into a young American Muslim girl’s family and community as she walks around in “Mommy’s khimar,” or headscarf.

The star of this sunny picture book is a young girl who finds joy in wearing her mother’s khimar, imagining it transforms her into a queen, a star, a mama bird, a superhero. At the core of the story is the love between the girl and her mother. The family appears to be African-American, with brown skin and textured hair. The girl’s braids and twists “form a bumpy crown” under the khimar, which smells of coconut oil and cocoa butter. Adults in her life delight in her appearance in the bright yellow khimar, including her Arabic teacher at the mosque, who calls it a “hijab,” and her grandmother, who visits after Sunday service and calls out “Sweet Jesus!” as she scoops her granddaughter into her arms. Her grandmother is, apparently, a Christian, but “We are a family and we love each other just the same.” The illustrations feature soft pastel colors with dynamic lines and gently patterned backgrounds that complement the story’s joyful tone. The words are often lyrical, and the story artfully includes many cultural details that will delight readers who share the cheerful protagonist’s culture and enlighten readers who don’t.

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked cultural group . (Picture book. 4-8)

Pub Date: April 3, 2018

ISBN: 978-1-5344-0059-7

Page Count: 40

Publisher: Salaam Reads/Simon & Schuster

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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