by Hena Khan ; illustrated by Aaliya Jaleel ‧ RELEASE DATE: Jan. 22, 2019
Informative and genuine, the book offers much to learn about the settings and situations of hijab.
A window into the world of a Muslim-American girl and the diverse women in her family and community.
A young, unnamed female narrator observes the women in her lives in public situations where they wear hijab and other situations where they do not, clearly showing when Muslim women who wear hijab transition into situations and places where they do not wear hijab. Khan connects in words the personality of each woman in and out of hijab. When Grandma is at work baking, “her hijab is carefully folded, / like the crusts on my favorite pies,” while “at home in her kitchen, / Grandma fixes her hair in a bun.” When she’s in her shared studio, an aunt’s hijab “towers up high, / pinned with a handmade jewel,” but at home the narrator can appreciate how her hair “is streaked pink and purple.” Jaleel’s illustrations pair well with Khan’s text, depicting some of the various ways hijab is styled. Though specific ethnicities are not mentioned, the family is multiracial, with the grandmother and father appearing black, a light-skinned mother and other female relatives, and friends with various skin tones. Women are also varied in ages and body shape. An endnote provides further information about hijab, what the word means, when women choose to wear it, why they choose to wear it, and that some women, like the author of the book, choose not to wear it.
Informative and genuine, the book offers much to learn about the settings and situations of hijab. (Picture book. 4-10)Pub Date: Jan. 22, 2019
ISBN: 978-1-62014-792-4
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by M.O. Yuksel ; illustrated by Hatem Aly ‧ RELEASE DATE: March 23, 2021
Both a celebration of and an introduction to the mosque.
Children welcome readers into different mosques to learn about varying activities and services that take place in them.
Though many different mosques and children are depicted, the voices call readers’ attention to the similarities among Muslim communities around the world. Yuksel highlights the community eating together; women, men, and children sharing the space and praying together; grandfathers thumbing their tasbihs; grandmothers reading the Quran; aunties giving hugs; children playing. The effect is to demonstrate that a mosque is more than just a building but rather a space where children and adults come together to pray, give, learn, and play. Joyful characters describe what happens in simple, poetic language: “In my mosque, the muezzin’s call to prayer echoes in the air. I stand shoulder to shoulder with my friends, linked like one long chain.” Aly’s bright illustrations pair well with Yuksel’s words, ending with a beautiful spread of children staring at readers, waving and extending their hands: “You are welcome in my mosque.” The variety of mosques included suggests that each has its own unique architecture, but repeating geometric patterns and shapes underscore that there are similarities too. The author’s note guides readers to her website for more information on the mosques depicted; they are not labeled, which is frustrating since the backmatter also includes a tantalizing list of famous mosques on every continent except Antarctica.
Both a celebration of and an introduction to the mosque. (glossary, sources) (Picture book. 4-8)Pub Date: March 23, 2021
ISBN: 978-0-06-297870-7
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by David Archuleta ; illustrated by Sara Ugolotti ‧ RELEASE DATE: Sept. 1, 2021
Though cheerful illustrations add some zest, this little prayer feels flat.
Based on the lyrics of his song by the same name, Archuleta’s foray into picture books calls upon his musical roots as well as his faith.
The book is language-sparse, with most of the story told through Ugolotti’s illustrations. These depict a White child who dreams of playing soccer but must grapple with disappointment. When the unnamed protagonist, who presents male, is not picked to play for the soccer team, he befriends a Black child who presents female and who has also been left out of the game, due to injury. Their initial connection on the sidelines blossoms into a true friendship, proving to be a far richer outcome than the aspiring soccer star could have anticipated. Alongside the visual story runs a little prayer of gratitude thanking God for his presence, patience, and plan in the child’s life. The words are general, with no reference to either soccer or friendship: “Heavenly Father, I am grateful for your eternal presence. / I am learning to be patient and that you are really there.” Though the interracial mixed-gender friendship is cute, the overall prayer and plot are bland. This is useful to augment collections and bookshelves where Christian picture books are in high demand, but it does not stand out from the pack. (This book was reviewed digitally.)
Though cheerful illustrations add some zest, this little prayer feels flat. (Picture book. 4-8)Pub Date: Sept. 1, 2021
ISBN: 978-1-952239-54-0
Page Count: 32
Publisher: Bushel & Peck Books
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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