by Henry Clark ; illustrated by Jeremy Holmes ‧ RELEASE DATE: July 2, 2013
Puns and wordplay abound in this droll science-y/fantasy adventure that’s sure to please...and is, one hopes, the first of...
Can a crayon save the world? Maybe with the help of a domino and a sofa….
River lives with his aunt Bernie outside the town of Cheshire. He and his friends Freak and Fiona live in the last three houses still inhabited in the Sunnyside development. The rest were abandoned or obliterated by the local coal-seam fire that’s been burning for 12 years…long enough to get its own name: Hellsboro. When a beat-up green sofa appears at their bus stop in front of Old Man Underhill’s house, the three make use of it as a lounging spot…until they find a rare zucchini-colored crayon between the cushions and discover that the Underhill house has a new and more than slightly bizarre occupant. Alf (and his sentient sofa) enlist the trio’s help in trying to stop a takeover of Earth by a dictator from another realm. What do the local chemical plant, mysterious flash mobs and the deaths of River’s parents have to do with the dictator’s plans for Earth? Clark’s debut is refreshingly bonkers. It offers thinking kids humor that is neither afraid of the potty nor confined to it. Most of the characters (and some of the furniture) have their quirks, but there is a realism at the core that readers will respond to.
Puns and wordplay abound in this droll science-y/fantasy adventure that’s sure to please...and is, one hopes, the first of many from Clark. (Humor. 9-14)Pub Date: July 2, 2013
ISBN: 978-0-316-20666-2
Page Count: 368
Publisher: Little, Brown
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
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by Alan Gratz ‧ RELEASE DATE: Oct. 9, 2018
Intense and fast-paced, this is a compelling, dark, yet ultimately heartening wartime story.
In the waning days of World War II, two young soldiers tell both sides of their fight to survive.
It’s 1945, and Okinawa has been forced into the middle of the war between Japan and the United States. Thirteen-year-old Okinawan Hideki has been drafted to fight in the Imperial Japanese Army. Told the Americans are “monsters,” Hideki is sent off with two grenades, one to kill as many Americans as possible and one to kill himself. Meanwhile, Ray, a young, white American Marine, has landed on the beaches of Okinawa for his first battle. Only knowing what he has been taught and told, Ray is unsure of what to expect facing the Japanese army and also the Okinawan civilians—who are “simple, polite, law-abiding, and peaceable,” according to an informational brochure provided by command. Switching between the two perspectives of Hideki and Ray, Gratz (Refugee, 2017, etc.) has created a story of two very harsh realities. He shows what happens to humans as the fear, violence, and death war creates take over lives and homes. The authentic telling can be graphic and violent at times, but that contributes to the creation of a very real-feeling lens into the lives changed by war. A large-type opening note informs readers that period terminology has been used for the sake of accuracy, and a closing author’s note elaborates on this.
Intense and fast-paced, this is a compelling, dark, yet ultimately heartening wartime story. (maps, historical note) (Historical fiction. 10-14)Pub Date: Oct. 9, 2018
ISBN: 978-1-338-24569-1
Page Count: 288
Publisher: Scholastic
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Alan Gratz ; illustrated by Judit Tondora
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by Alan Gratz ; illustrated by Brent Schoonover
by James Ponti ‧ RELEASE DATE: Aug. 23, 2016
More escapades are promised in this improbable but satisfying series starter
A smart kid foils big-time thieves in the nation’s capital—and joins the FBI.
Using a method he invented called the Theory of All Small Things, white seventh-grader Florian Bates solves mysteries by piecing together seemingly trivial clues in this engaging, humorous, but not always logical caper. When Florian easily helps the FBI recover three masterpieces stolen from the National Gallery of Art, the dazzled feds supply him with an alias and train him at Quantico. Collaborating with his African-American best friend, superbright, athletic Margaret, Florian finds that even with TOAST, sleuthing gets dangerous when the pair, working undercover, come up against a European crime syndicate—and another spectacular art heist in the form of a forgery substituted for an iconic Monet. Exciting adventures ensue, and clues accumulate until the culprit is revealed and the genuine painting located. Missteps intrude, though: a few lapses in logic may leave readers puzzled; some clues seem contrived; and a subplot involving Florian’s discovery of the startling identity of adopted Margaret’s biological father falls flat. The solution is also a letdown: the thief is a minor figure, and the means by which the painting was stolen and the forgery set in its place aren’t explained. The real draws here are the two resourceful leads’ solid, realistic friendship, bolstered by snappy dialogue, brisk pacing, and well-crafted ancillary characters—not to mention behind-the-scenes glimpses of the FBI.
More escapades are promised in this improbable but satisfying series starter . (Mystery. 9-12)Pub Date: Aug. 23, 2016
ISBN: 978-1-4814-3630-4
Page Count: 304
Publisher: Aladdin
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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