by Henry Cole ; illustrated by Henry Cole ‧ RELEASE DATE: Feb. 6, 2018
Earnest animal fantasy with exceptionally designed illustrations but uncomfortably set in a time and place undeserving of a...
A timid mouse goes on an inadvertent journey.
Cornered by a house cat, Celeste (A Nest for Celeste, 2010) spends the night nestled in a wagon laden with cotton. In the morning, the wagon departs with Celeste aboard, and her home disappears behind her. Her voyage is episodic, featuring new friends, myriad hiding places (a sewing box; a barrel of cornmeal), and dangers (a steamboat that sinks, fur trappers, a season that gets cold). The shy little rodent travels up the Mississippi River from “a long way south,” landing someplace with “brilliant fall colors and icicles and snowdrifts.” Other animals protect her, and then she’s adopted by a white boy named Abe (Lincoln, the author’s note confirms), who’s portrayed almost romantically as particularly kind, thoughtful, and hungry for education. Descriptions of nature are lush; Cole’s black-and-white pencil drawings touch almost every spread, soft and gentle, evocative, sometimes covering entire pages. Unfortunately, the piece ignores an underlying ugliness: in the early 1800s in Mississippi, Celeste’s cozy, “safe” original home—a plantation—almost certainly would have been a site of slavery, and the story’s only obviously black human—a friendly cook on the steamboat—might have been enslaved.
Earnest animal fantasy with exceptionally designed illustrations but uncomfortably set in a time and place undeserving of a rosy glow. (author’s note) (Animal fantasy. 6-10)Pub Date: Feb. 6, 2018
ISBN: 978-0-06-265812-8
Page Count: 272
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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